the other concern we hnlt looked enough and fixed on this one building and my katie albright can talk about the other sites. we need to get our doors open. we cannot keep putting names on waiting list instead of doing the work. it is our mission to serve and strengthen this community and we feel that -- >> excuse me. ma'am i'm sorry. if you persist to yell out of order you're going to have to leave the proceedings. >> i think i have to leave and she's going to lose a million dollars and keep the doors open and i refuse to sit here and bay view -- everyone knows that is one of the most toxic areas in bay view in california. everyone knows it and you know it too and you -- >> thank you. thank you. would you like to please continue. >> i just -- we believe that this site at this location will help us serve that community. there is urgency. we can't keep kids waiting any longer and i will turn it over to my colleague. >> honorable commissioners. i am katie albright and work with the community based organization with four years of programming in san francisco to protect our children. for d

madeleine albright's daughter katie is one of the moving forces there and they're creating a facility so that when a victim comes forward she is only interviewed once and every person who needs to be part of the process is fair because retailing the story is traumatizing. there is the rape and the rate after the rape. the idea that the investigator, the social worker, all of the police can all be there and it is handled with appropriate sensitivity as a person tries to debrief something that is so traumatic is how we should move forward with this and more people will feel comfortable. it is difficult but they will feel comfortable sharing their story. a personal anecdote a friend of mine's daughter was gang raped and she obviously was absolutely wild with grief and horror and she did all the things she thought were the right things, took her daughter to the emergency room and told one series of care givers and staff changed and she had to tell the story again and then there was all this stuff about insurance and all this crap and the police showed up and at the end of the day they sai

"vanity fair" and said katie couric said there's a special place in hell for women who don't help other women. actually that line was -- >> that line was from madeleine albright. >> this is what she also said, for a female to write about her feelings and be portrayed as a clingy, insane, desperate girlfriend, i think that's taking something that should be celebrated, a woman writing about her feelings in a confessional way and turning it into something that doesn't exist. >> think about it, jane austen did it, didn't she? so many of the poets. >> what's the problem? what do you think the issue is with taylor? . writers write about life experiences. >> i think the issue is, a lot of people think, and this isn't

a great professor, madeleine albright's daughter, katie is one of the moving forces they are and they are creating a facility so when it comes forward, she's only interviewed once in every person who needs to be part of the processes they are because retelling a story is traumatizing. the idea that the investigator, social worker, police cannot be there and is handled with the appropriate sensitivity is the person traced to debrief some is so traumatic is how we should move forward with a set number of people will feel comfortable. it's difficult, but they'll feel comfortable telling their stories. a friend of mine's daughter was gang raped and obviously was absolutely wild with grief and horror and she did all the thing shootout with the right things, took her daughter to the emergency room, told my series of caregivers and the staff changed and she had to tell the story again and then all this stuff about insurance and the police showed up at the end of the day, they said you were in the wrong county and her mother did not press charges that she knows who the three boys sorry. >> a

the great professor, madeleine albright's daughter, katie, is one of the moving forces there.ng a facility so that when of victim comes forward she is only interviewed once, and every person who needs to be a part of that process is there because retelling the story is free traumatizing. there is the rape and then there's the right after the rape and the idea that the investigator, the social worker, a case manager, all of the police can all be there and it is handled with the appropriate sensitivity as the person tries to de-brief something that is so dramatic, that is how we should move for this. and then more people will feel comfortable. it is difficult, but they will feel comfortable sharing their story. a personal anecdote, a friend of mine's daughter was gain-raped. she obviously was absolutely wild, absolutely wild with her grief and horror. she did all the things a shootout with the right things. she took her daughter to the largest room. you know, she told one series of caregivers and then the staff changed and that she had to tell the story again. and then there was

"vanity fair" and said katie couric said there's a special place in hell for women who don't help other women. actually that line was -- >> that line was from madeleine albright. >> this is what she also said, for a female to write about her feelings and be portrayed as a clingy, insane, desperate girlfriend, i think that's taking something that should be celebrated, a woman writing about her feelings in a confessional way and turning it into something that doesn't exist. >> think about it, jane austen did it, didn't she? so many of the poets. >> what's the problem? what do you think the issue is with taylor? . writers write about life experiences. >> i think the issue is, a lot of people think, and this isn't me saying it, but it's chronic. it seems to be chronic and it seems to be -- there's very little time in between boyfriends. where there's a time for thinking about it. maybe she's been writing her songs, but i think a lot of people think this is becoming chronic behavior, some sort of an addictive thing. >> i think every guy that goes out with her knows they may wind up in a song. it became kind of a joke, but it's true. amy poel pohler did respond, "i