you know, it's wonderful, in britain, i grew up watching ken loach movies.making those films. but where are the other people? where... you know, it's not, that progression has been with technology, and, you know, digital technology, and effects, and superheroes, and it's wonderful, i'm not decrying that, but where's the other side of it? you know, i guess, in your film—making life, the genres have shifted and evolved, but also the technology has really shifted and evolved... yeah. ..and you just alluded to it, with much more computer—generated imagery... yeah. ..and virtual reality, and now they're building these extraordinary, i think, called led walls. yeah, yeah. you can do more and more shooting, not on location, which you're famous for, scouting your locations, lighting them so carefully. right. now, you could conceivably make what looked like a location—based movie, entirely fake, entirely in a led wall environment. right. could you imagine doing that? no. i mean, maybe for certain sequences. i'm sure it works great for car work, so you don't have to b