and to work with someone like kenny lonagan one of my ferrets. you can count on me and margaret toward real masterpieces from the movies i've watched over and over again. it was an opportunity i said yes to. >> rose: it's interesting. you watch them over and over and over again looking for different meanings in the film looking for different nuances, looking for. >> all of that. sometimes just watching and seeing what happens. i watch over you. there are things to discover in a script or a movie that's done with care and with depth that you don't find the first viewing or the first reading. i find that over and over again. if you can, if you read something once and you read it again you don't find anything else it's an indication that you might never find anything else and should probably not do the movie. i go over times a play kenny's written or even a play he was if i thought oh wow there was a whole different take on that scene could have explored. >> rose: how does he, how did he make, how did he help make this performance that came out of y