then an enemy rocket flew very close to the khanenko museum. flew by, 40 meters from the museum, and took all the windows, the glass roof into the museum, and we had to very quickly consecrate the building, plus figure out what to do next. when there is an explosion next to the building there is a blast wave, you may not visually see what happened to the building. that is, the wave reaches the building, compresses it, then releases it, and may blow up the roof a little, or it may not be seen, for example, and therefore if how critical the damage is can be understood only after detailed research, so work has been added, but there are those who are ready to help with this, it was the world monument fund, it was unesco. and it was house of europe. these three institutions gave us the opportunity both to conduct research and to secure the building and to enter already sealed, calm, insulated in the winter, and we cannot say who was more important, the support of the second helped only because the first helped before that, and then a third helped. wo

for example, one of the largest museums in kyiv, the khanenko museum, which housed more than 2,500 exhibitsthe invasion, is now literally empty. but instead of simply hiding the works of art, the museum team temporarily transferred them for use by various museums around the world. it was our policy not to hide the collections, but to make the most of them it is possible for them to be presented to western audiences , the more we talk about ourselves through culture through art, for western audiences, the more hymers and patriots we have in our country, for some it is not an obvious connection, but this connection is very direct in fact, because the lectureship of western countries can support actions. politicians only when he understands who we are, we are talking about the common ground of growth from which we came, whether it is byzantine culture, whether it is the culture of the middle ages or revival, we show that we look at the same things, and we grow from the same things, and our culture is ukrainian, it also grows in constant interaction with these cultures, with these things, the w

lot of exhibitions, but recently in the louvre there was an exhibition from the funds of the khanenko museumthe french know something, much more than they knew , but it's like how, in my opinion, the elements are quite scattered, and here is our, our main task now is to unite all this, channelize and and with to do with... a systematic policy of presenting ukraine's narratives very carefully, guys, through dialogue, through discussion, through searches for common points of contact, it seems to me that this should be the case. mr. ivan, thank you very much for these clarifications, of course, we will definitely continue to talk with you, monitor your work, and actually, ivan ryabchii was in direct contact with us. the head of the representative office of the ukrainian institute in france, this ukrainian institute, let me remind you, is engaged in cultural diplomacy, we now have representative offices in germany, in france, i hope the future in other countries, because you know, through culture you can tell a lot, very effectively, because culture is stories, culture is emotions, and people us