denies everything, believes that it came from a monkey, well, okay... look at an excerpt from khotinenko’svil, we will penetrate into the people themselves, ours are not only those who cut, but burn , yes they make classic shots or bite, i don’t understand anything without discipline, a teacher laughing with children at their god and at their cradle, already our lawyer, schoolchildren killing a man to experience our feelings, our administrators, writers, ours have a lot, an awful lot, they themselves they don’t know, nowadays everyone has a different mind, the russian god gave in to cheapness, the people are drunk, the mothers are drunk, the children are drunk, the churches are empty, well, let it grow for now... it would be nice to remember his prophetic tale about the goldfish, in my opinion. often those who want everything at once and a lot, expect sad fate of the old woman who found herself at a broken trough, therefore. conversations about new times, high-tech, a civilizational breakthrough, that digital reality will replace real reality, that traditional values, historical values, sy

when sergei makovetsky met with vladimir khotinenko, each of them already had a dozen notable works in there was little time, little money. it's 1993, we filmed with enthusiasm, we had a shift that lasted 29 hours. and now we are completely exhausted, the scene is extremely important, it is impossible to fake it, when he finds a pistol, which he seemed to have thrown away, he has a monologue. with a pistol , he is exclusively improvising, you understand , it is impossible to write, because at this moment he communicates with the pistol as with a living creature that has already taken possession of it, now you and i will live, do we really need anyone, no one, only you and i, listen, old man, it’s okay that i call you that, you won’t be offended, but it was a real shock for the audience. upa on the rocking is flooded, and that rocking jumps wildly, and that hen chobotura walks and walks around the garden, leads the chickens, leads the little ones, we’ll return to sergei makovetsky tomorrow morning, i’m sergei mayorov, see you on ntv, happily, the best for today beyond the bounds, becaus

, but for some reason all the critics are sure of makovetsky as a great serious artist , it was khotinenkoladimir ivanovich almost brought the artist to a psychiatric clinic. we have there was one shift at makarov , there was little time, little money , it was 1993, we filmed with enthusiasm, we had a shift that lasted 29 hours, we filmed outside the city, at first in the dacha all the scenes were so shocking, now we ... completely exhausted, the scene is extremely important , it is impossible to be false there, when he finds a pistol, which he seemed to have thrown away, so he has a monologue with a pistol, he is exclusively improvised, you understand, it is impossible to write, because at that moment he communicates with a pistol as if it were a living being, which has already taken possession of him, now you and i will live, do we really need anyone, no one, just me and you? listen, old man, it’s okay that i call you that, you won’t be offended, but the real shock for the audience was vladimir khatinenko’s film 72 m. knows, well, in general, every time i come up with some kind of techni

masters, without whom i simply could not to do nothing, this is, first of all, vladimir ivanovich khotinenkoof a genius, he was imprisoned in his own home. the prize goes to melnikov, the prize goes to director marina maria melnik, the film melnikov. thank you. this is very exciting, i wanted to say right away, our last names are not connected in any way, perhaps someone has questions, this is a great honor for our entire team, and we are grateful to the award for highlighting our picture, we put our soul into it , i thank the russian cultural foundation and... studio twelfth frame represented by arseny vchinnikov and pavel razumov, who allowed us to make an original film, and of course, my team is people with whom you can walk shoulder to shoulder and know that any project will be done, despite all the difficulties that lie ahead, i am grateful to igor sulovich for he starred in our film, it’s great... in fact, when we talked to him, he said such an important thing, he played in melnikov’s play, and he said: “marina, you know, melnikov is the architect who made his way himself, from a peasa