igor volgin, participant, witness of all those phenomena, events that we used to call the khrushchev thaw, this is the period that is, as is commonly believed, between the year 56, the twentieth party congress and the sixty-eighth or seventieth year, this is after all. and he, getting into the carriage with his wife, having committed his betrayal, believed that he was making a career, and meanwhile he was ruining it, well, that is , long live the career, when the career is like shakespeare, pasteur, homer and tolstoy, he made lion's pause, i promised, i promised, here's igor volgin, just think about your career, the words are absolutely, this is this, this is such a powerful beginning, i remember the very beginning, here i am, i was a schoolboy, fifty-ninth year, evenings on mayakovsky square, when people gathered. and i open a literary newspaper in irkutsk at the station, i open the newspaper and there, bon voyage , that means that was the manner. it’s full of autographs and writers, i wrote to him “the door is at vitya urin’s, a literary man,” so he introduced me there to santakolsky, a

participant, witness of all those phenomena and events that we are accustomed to calling the khrushchev thawthe sixty-eighth or seventieth year, this is the era of debuts, the era of beginnings, well, yes, this is the era of the sixties, of course, although my generation... we were called undergrowth, we, because the generation of the sixties was born in the thirty-second, thirty-third year, yes, we are 10 years were younger, of course, but this is a wonderful era, these are not only literary debuts, this is a historical debut, a change in attitude, if this era had not existed there would have been no literary debuts, there would not have been, there would have been a yavtushenko, but another yavtushenko , of course, it would be possible voznesensky, although i am in this i doubt it, but it would be a different galaxy of poets, for example, i remember the first meeting with yavtushenko, he had an evening. on the big ekimanka, where, by the way, there was a literary museum at that time, an architectural museum, i saw it for the first time, we came to - no, this was a little later, yes, but we

, participant, a witness of all those phenomena, events that we are accustomed to calling the khrushchev thawifty-sixth year, the twentieth party congress and the sixty-eighth or seventieth year, this is the era of debuts, the era of beginnings, well, yes, this is the era of the sixties, of course, although my generation called us: under the forest, we, because the generation of the sixties was born in the thirty-second, thirty-third year, yes, we were 10 years younger, of course, here , but this a wonderful era, this is not only literary debuts, this is a historical debut, a change in attitude, if this era had not existed, there would have been no literary debuts, there would not have been, there would have been a yavtushenko, but another yavtushenko, of course, there would have been perhaps voznesensky, although i i doubt it, but it would be a different galaxy of poets, i, for example, remember the first meeting with yavtushenko, he was having a big evening... and my school friend was sitting with me, when yavtashenko pronounced this rhyme, i pushed him painfully side, he didn't understand

to see you, and since i promised our... all those phenomena, events that we used to call the khrushchev thawof course, although my generation called us undergrowth, we, because the generation of the sixties was the thirty- second, thirty-third year birth. if this era had not existed, there would have been no literary debuts, there would have been no yavtushenko on another yavtushenko, of course, it would have been possible in voznesensk, although i doubt it, but it would have been a different galaxy of poets, i, for example, i remember my first meeting with yavtoshenko, he had evening on bolshaya okemanka, where, by the way, there was a literary museum then, an architectural museum, this is my first time. i saw it and we came to see it, no , it was a little later, yes, but we didn’t know each other yet, we came, that means, to this museum, there was a huge crowd standing there, they opened the windows, vysheshenko in something so extravagant, i remember, how amazing it was, i first heard this rhyme, yevtushenko’s new one, which updated the dictionary, updated the poetics, and the rhyme of th

comrades, you can say that now it is no longer thaw or frost, but frosts, she was the only one who was not afraid to openly support the disgraced poet after khrushchev’sn’t even together yet, but it seems they already understood everything about their common destiny, you ’ll wake me up at dawn, see me off you will come out barefoot, you will never me... beloved from his poem, put your palms behind my shoulders, hug me, only the lips breathe, oh mine, i was never embarrassed to tell him that i didn’t like it, i spoke very carefully and spoke in such a way that you could do more think, this was my main expression, and you come in, sit in the corner, and for half an hour, i say, i don’t know how to sit without moving, she was like that from her youth, stubborn, active, with an unbending inner core, did not agree to compromises, when promises were asked to cut out a monologue from her play, it was better to close the play immediately, and she was not afraid to stand up for others when she saw talent, largely thanks to her efforts , torkovsky was still allowed to cast andrei rublev, this is my meth sister, when the war began, boguslavskaya was 17, eager fo