and every artist has your handwriting, for example, here is an image of khrutsky.he fact is that he is in red light, for example, and we see x-rays, he worked first with a pencil, and then he made an image. here we need infrared money, we can trace it, how he changed. the fact is that many works even began to draw. well, in such and such a profile, in such and such he did not like something. and we see on the x-ray that two faces are one somewhere in the direction of the other. here, how the latter already directly hits the face exactly, as in the picture, well, it also helps to find some sewing. here, for example, zhukovsky, we had a work for examination, it’s impossible, an old canvas, a work is painted on an old canvas . with that work to such subtlety, each petal of this painting russian coincides with this, but the fact is that the regen sees a torn canvas, she is a painting, because therefore the artist painted the torn canvas later on the whole work. and so it was determined that he could not repeat it. there was no need to simply turn on the source, so ever

there is your handwriting, for example, here is an image of khrutsky. that he is just to us in the light, for example, and we see x-rays, he worked first with a pencil, and then he made an image. here is an infrared day that traces how he changed. the fact is that many works even began to draw. well, in such and such a profile, in such and such he has something did not like. and we see on the x-ray that two faces are one somewhere in the direction of the other. here is how the latter already directly hits the face exactly, how it also helps to find some sewing for every day. for example , zhukovsky, we had a work for examination, it’s impossible, an old canvas, a work is painted on an old canvas. with that work to such subtlety, every petal, real in russian paintings , coincides with this, but the fact is that the witch’s regen is a torn canvas, she does not see the picture, because therefore the artist will damage the canvas, applied the whole work later. and so it was determined that he could not repeat it. it was easy to treat every petal every detai

for the same khrutsky, for example, his portraits differ from each other very much, because he just signedw he managed to eat portraits, so one portrait differs from the other very strong, but we go anyway. sometimes a crunchy portrait about 5 years ago, a little more , there was also a zabastr holding such a wounded hall with an image. still, they said that it was russian from a technical point of view. that's how long this process is in general, here is the translucence of the picture in order to understand what is there in the very fat below. well, if we talk about our fact that we are a museum, you can say so. at first we also worked. just an x-ray device is placed, a work of art is placed on top of the image and the case is translucent from below, that is, on the ceiling. we are now digital. that is, we do not need now since this work, firstly, to what extent it is harmed, that is, it just hangs. he looks at us in that state and how to do fluorography, like this, we will now make a work. it's much faster. this time. secondly, if we have a large work, also the sizes of all are also lim

for the same khrutsky , for example, his portraits differ from each other very much, because he justow he managed to eat portraits , so one portrait differs very much from the other, but we still go sometimes a fragile portrait about 5 years ago, a little more, there was also a stock of such a tattered hall with the image. still, they stopped something crunching, it turned out from a technical point of view. that's how long this process is in general, here is the translucence of the picture in order to understand what is there in the very, very bottom. well , if we talk about our art museum, we can say this. at first, we also worked. it's just that an x-ray device is sung into a work of art and the case is translucent from below, that is, we now have a digital one. that is, there is no need now the work, firstly, is relatively harmed, that is, it only hangs. we have it according to the state. and so we will now make a work. it's much faster. this time. secondly, we if a large product, so also the sizes are all limited. well, the squares of the product are large and then we simply add