khutka i dzetsi paishli, adzin after hell, and gulam dzesyatsy.mitsya such a thing was not easy, you pain, your profession is music. manyushka gives private lessons, public collections of her rambles, and plays the argan at the local university cascade. campasitar will come back to many people, and the skin’s day will be painful. then, we pulled ourselves together and sat down. for fartepiyana, the creations of adzin after adzin, and in the evenings of love to visit good cafés, billiards, cards, cigar, and not to rob them and extraordinary taverns, where people gather are simple, true, and good ў don’t go there, panathnenne, dze yashche you could then you’ll get a taste of folk music and crazy jumping. i don’t create anything new, i’m inspired by the spirits of folk songs. perhaps, in such a bad manner, manyushka is known to other belarusian singers, the poets vincent dunin martsinkevich. afterwards, the idea of working in a new way appeared, so the creative tandem was created. on july 9, 1853, the garad theaters of minsk premiered the opera i