hang out with king oliver and oliver was kind of his mentor. >> as you can see it is pretty beat up.ayed by kids not only during the time armstrong was there but for many years afterwards. toer gave -- presented it tois armstrong and as a gift the jazz museum back in 1965. louis armstrong confirmed this was the horn from the notches he made in the mouthpiece. louis felt it gave him more of a -- more ofhis mouth a grip with his mouth for the inch commend. this is an area where we have a number of instruments on display. trumpet --r he is still living he is and his 90's now. he was a prolific producer and ranger -- and arranger, writer, bandleader. he was fundamental in fats domino's career. he helped produce and create arrangements for fats domino's early rock and roll work. one of the earliest and the development of rock 'n roll. is a directomew link from jazz to rock 'n roll. one of fats domino's pianos. it was in his home on catherine street. that's, despite being internationally known, one of the creators of rock 'n roll, he returned to his home and wanted to live in new orleans.

and he got to hang out with king oliver in story bill and he was a father figure to him.m to his home for dinner and stuff like that. >> this is pretty beat up. this was played by kids not only when armstrong was there, but for many years after and peter davis presented it to louis armstrong and as a gift to the new orleans jazz museum. louis armstrong confirmed that this was the horn with the notches in the mouthpiece and you can see the notches still today. louis felt it gave him more of a grip with his lips on the nstrument. so that would move into another rea of the museum. this is an area where we have a number of instruments on display in this one was owned by dave bartholomew. >> ♪ >> he is still living. he is in his 90's now. e was a prolific producer, arranger, writer and bandleader and he was really fundamental. he helped produce and create arrangements for fats domino's early rock 'n roll work. he was one of the earliest in the development of rock 'n oll. he was a direct link from jazz to rock 'n roll. this was in the den of his home on catherine street and you

kinge got to hang out with oliver in story bill and he was a father figure to him.im to his home dinner and stuff like that. >> this is pretty beat up. this was played by kids not only when armstrong was there, but for many years after and peter davis presented it to louis armstrong and as a gift to the new orleans jazz museum. louis armstrong confirmed that this was the horn with the notches in the mouthpiece and you can see the notches still today. louis felt it gave him more of a grip with his lips on the instrument. so that would move into another area of the museum. is another one where we have a number of instruments on was owned byis one dave are followed you. -- dave bartholomew. he is still living. he is in his 90's now. producer,rolific arranger, right or, and he was really fundamental. and createroduce arrangements for fats domino's early rock 'n roll work. he was one of the earliest in the development of rock 'n roll. he was a direct link from jazz to rock 'n roll. this was in the den of his home on catherine street and you know, fats, despite being inte

king large audienc tiesha. thepl royal cou finishing up a five-y trip to the us which also included trips in san antonio and new orleans. the ainistration's decision to impose tariffs on spanish olives . ng but thi were friendly during a photo op in the oval office today. it's a great honor to have the kink and queen of spain a beautiful country. we were in spain not so long ago and we love it. very special people and a beautil place and our relation ship has been out stand aing over the years and i think especially right now. the visit also gave us the photo of the day, melania trump perfectly calm, perfectly composed on the coitoouc like they were all going after something else there. not a care in the. word not happening there. i think faced b the press. the pressot is obsessed with your face. coming upt.ng'rok tal using facn les talk about your face. yeah, you face. more specifically the ongoing battle over facial recognition these days, in fact my guest tonight wrote a piece forth week called the government's creepy obsession with your week. civil liberties writer a king up late with me on the final five to talk about this. hey, my iend how a you. >> always a pleasure to be wit