kipling doesn't want to say he's dead, but kipling knows he is. nonetheless i believe you now and i know how hard this is. as it turns out, quentin had been shot down. by can see in the scrapbook eleanor butler roosevelt that this captures the scene. many american soldiers would go to this and take pictures. there are other groups of soldiers around it because quentin roosevelt, when he died, it was famous. it was front-page news across the nation because teddy roosevelt lost his son in a very painful way. it's indicative of two things. this war touched all americans whether you were early or working-class american. it touched the equally -- whether it touched equally as a -- is a longer conversation. it demonstrates the front reality of the war for millions of millions of soldiers. tens of millions die at the front and quentin roosevelt is one of the larger group of people. this burial is demonstrative also of this idea of moralizing the war in some way and the contributions they have made. ♪ and we are back live now with more from the gettysburg

in an earlier rotation we had a letter from rudyard kipling lost -- who lost his boy in france and he a letter to teddy roosevelt consoling him about the loss. rooted kipling does not want to say that he is dead but you can , tell in the letter that i know how hard this is. as it turned out quentin had , been shot down. what is interesting, particularly in the light of the fact that the military is kind of working through its processes during world war i, and its policies roosevelt later writes , march again, same year, in the fall, and says look, i know , policy is to bring back all the boys who have fallen at the front, bring them back to the states. but my wife and i believe that where the tree falls, the tree shall lay. we want to bury quentin overseas in france where he died. march acknowledges this, and in some sense they do change policy to add just -- to accommodate families who did not want to bring their sons home for whatever reason. here you can see in this scrapbook, it captures the scene. this is held in our prints and photographs division. it captures the scene. many pe

in an earlier rotation we had a letter from rudyard kipling lost his boy in france and he wrote a letterng teddy roosevelt -- wrote a letter to teddy roosevelt consoling him about the loss. he doesn't want to say he is dead, but you can tell in the letter that he knows he is. -- i know how hard this is. as it turns out, quentin had been shot down. what is interesting, in light of the fact that the military was working through its process and policies in world war i, roosevelt rights march again, writes march again, same year, in the fall, and says look, i know policy is to bring back all the boys who have fallen at the front, bring them back to the states. my wife and i believe that where the tree falls, the tree shall lay. we want to bury quentin overseas in france where he died. march acknowledges this, and in some sense, makes an effort to accommodate families who did not want to bring their sons home for whatever reason. here you can see in this , it captures the scene. we have other pictures of groups of soldiers because when he died, it was front-page news across the nation, becaus

a century ago, when kipling's poem "mandalay" was beckoning the overheated imaginations of a generationould buy fine egyptian cigarettes, french liqueurs. the floor tiles were shipped over from manchester. now, people live here. a half-century as a pariah state has left very few of these buildings in good repair. and there are divergent views on whether to preserve them. for many, a reminder of colonial subjugation. for others, a vestige of a golden time. these days in myanmar in the streets, on the docks, it's all about moving forward. in an economy ripe to explode if things continue trending in their current direction, the busy hustle and bustle of yangon's port appears even busier today as workers prepare for the oncoming holiday. >> philippe: hey, chef. >> anthony: hello. >> philippe: how are you doing? >> anthony: it figures, doesn't it? >> philippe: yeah, it does. welcome to myanmar. >> anthony: philippe lajaunie, owner/proprietor of my old restaurant, les halles. it seems only natural that, uh, you'd bee in burma, myanmar, at the same time as me. back before anything, before i wr

how do they -- to paraphrase like rudyard kidnapling -- -- like rudyard kipling said -- keep their heads while so many are losing theirs? one person who is extraordinarily well situated to give us his thoughts on this and help us set the stage for the two panels that we will then hear from has received particular attention from congress in the press. that's about every day and every hour. i'm sure a lot more attention than he particularly craves. but that is the chair of the counsel on inspectors general on integrity and efficiency. and he's also the current inspector general for the department of justice. and as our special guest michael horowitz. mr. horowitz is testifying next week before the house committee on oversight and government reform on his investigation into the conduct of the f.b.i. during the last election. you can follow what he's doing almost everyday in the media if media. if you want to know where michael is, just hold up the newspaper and find it that way. he's there and his schedule is almost a daily matter of public interest. he's reporting his findings at a time of