now there is a question about exhibiting the proposal of vdava kishchenko to create. the only one inntry, the museum of gobelins. it would be possible to put looms and even invite young weavers, let them show there, work, and there could be towels there, this is our past, this is everything, so if, as we say about the historical and cultural heritage, which from the past to the future, here you go, right before your eyes you can see how the future passes from the past our culture. art vedas voiced. idea - to open an experimental museum in the great stone. you can see the investigation hear the opinion of experts on the youtube channel newsby. even more news on the first information. stay up to date with the world agenda with us easy monday.

quality control is carried out personally by muza kishchenko, nina kukharenko.ave. when there were ceremonial events, they were lowered, when there were student productions, they were simply raised up. today these tapestries are rather an object for study students of azovrestoration, while the storage facility is located. and this is already mogilev, where we went on the same day. we find three more tapestries on the main stage of the regional cultural center. space, revolution and singers, so they walk and breathe. i came to work in this institution in the sixteenth year, when i got acquainted with the documents, i saw that these historical and cultural values ​​are located here, we began to work in the direction of their proper preservation for future generations, there is a special attitude, in the event of emergency, we know exactly from the approved instructions how they are evacuated, where they are evacuated, and this wool trio has not yet been decided to be included in the interior design of the palace, only once... the art districts voiced the idea of ​

semi kishchenko placed her harps in the fai of the belarusian opera and ballet theater, six paintingsry of belarus and one large canvas, like a curtain, the master created the seventies and did not hide. on a well-deserved rest, but never to return to the walls, when the work is removed from that, so to speak, place or architecture or interior, the artist, you know, he tries somehow make a level, this is our heritage, this is our past, and this is what we will push off from and continue to live, the historical and cultural heritage should be available to... all the people. our film crew went on reconnaissance, to collect the entire series, to see the state of kishchenko's works. the first point is the bolshoi theater. here, in the safe under the stage, a 20x10 m curtain is still stored. the cover is made of cotton fabric, but impregnated with a fire retardant composition, which in principle is also, say, a composition that blocks moths. everything, through a certain step is fixed. tightly everything then this sausage is carefully placed in the safe. about 30 years ago, sam zanove hid