and she knows that it's supposed to be chris's, but it's got "kitty marsh," and so she comes home tothat he's just copied and that he's no good. the scene unfolds like a nightmare. he's, in effect, cheating on his wife. she shows up. hello, adelle. i dropped over to the butcher shop like you told me to. i got a nice piece of liver. even the idea that his idea of dinner would be "a nice piece of liver" is something that tells you something. you can almost smell the dankness of this apartment. he's in a frilly apron. he's in the kitchen doing the woman's role. he's making dinner. he also -- his language says, "i've just stopped by the butcher shop as you told me to, adelle." in the background we see this big oval picture of the ex, missing, dead -- possibly dead -- cop husband. it's very high up on the wall, so it's very, very dominant, not just that he'll never live up to this guy, but that it's the law. it's almost always in between them in the background. how long have you known kathryn marsh? answer me! (hoberman) it's a very ironic moment. i don't know what you're talking about. h