friendship center-- they had a free studio for younaboriginalouth, and itas called the knowledgeable aboriginal youth association ♪ we're still here ♪ missi brother♪ ssing moer ♪ misng daughrs ♪ ♪ sayt agai nolean wer ♪ ♪ we'retill her♪e ♪ ♪ the mesge is clea♪♪ thewa♪ ♪ b we're sll here - i' notic that a t ofirst natns youth are taking responsibility tto right these wrongs. they are consciously writg about how messed up thin are. inead of, like, falling into that trap of being misogynist or racist, they actually embraced the tone of hip-hop and used it to talk about the loss of land, the loss of language, and how that all relates and how the missing and murdered women are still going missing, and how does that relate to the land, and they're able to do it in such a way that it just pulls you in, it just has this vibe. - while many hip-hop indigenous artists are drawing attention to the struggles first naons peop face, a particular concern is the contied disappearance d murder indigous we ♪ the mt unprotted girl♪ the mt unprotted girl♪ d murder indigous we is e girl whcreated and s fell om the s ♪♪ e♪ cranein the