friendship center-- they had a free studio for young original yth, and itas called the knowledgeable aboriginal youth association own culture. ♪ we're still here ♪ missi brother♪ ssing moer ♪ ♪ missi daughte ♪ sayt again,no can wat♪ ssing moer ♪ bute're sti here ♪ ♪ we'retill her♪ ♪he mesge is clear ♪ thewaed us to dappear ♪ bute're sti here ♪ - i' noticedhat a lo of fst natio youth, you know, espeally the enttainmentield, are taking responsibility to right these wrongs. they are consciously writinabout how messed up thingsre. inead of, like, falling into that trap of being misogynist or racist, they actually embraced the tone of hip-hop and used it to talk about the loss of land, the loss of language, and how that all relates and how the missing and murdered women are still going missing, and how does that relate to the land, and they're able to do it in such a way that it just pulls you in, it just has this vibe. - while many hip-hop indigenous artists are drawing attention to the struggles first natis peopleace, a particular concern is the continu disappearance anmurder ofndigens women. - the mosunprotecd gir