, kochigar, 20 years have passed, you still miss it all, yes, seryozh, why this, sea, sun, spray, helmes, what kind of sun, no, although there are splashes, of course, there were, but i can’t say that i miss them too much, but still sea romance, yes, alka. let's get out of there, why are you holed up there like a rat, a rat, we'll drown, i'll get out, don't touch her, you're her transitional age in a person, a transitional age, am i a father or not a father, you're the helmsman, the helmsman, and the helmsman, let me steer, but i’m sure, well, of course, at least for a minute, please, the birthday girl’s word is the law, and the earring. he’s not adequate right now, you have to understand that, that’s all, i understand, i almost killed sonya, i’m guilty, that means i’m guilty, this is your reason, it’s my fault, if i had been at the base when voloshin arrived, this wouldn’t have happened, yul, that’s enough, you’re talking nonsense, you threw away the sugar, you fool, and he went to the warehouse and cut the cable that was lying on top, but if he wanted an assassination attempt to do i

interesting thing, but he read it passionately, as they say, really wanted to do it, and so the film kochigarvery strong actress tuyaaraeva died during the filming, naturally. and then there are echoes of the film kachigar, yes , of course, some kind of internal rhyme inside balaban worked, there is also a story by hailak, yeah, the concert itself, i meant, yes, that’s it mish scriabin, mikhail scriabin, he was one of malabanov’s favorite actors, a yakut actor from the yakut theater, here he is in georgia 200, in the stoker, the main role, here again, what to look for, some rational explanations, but since lyosha really went , working as an assistant director at the then sverdlovsk film studio, in its documentary department, he really traveled all over yakutia, the urals, of course, siberia, that’s all, that is, for him it was not just some exotic thing that suddenly hooked him, because he so... he feels, he won’t walk with his feet, he won’t talk, and if we talk about the last film, i also want what to say about it, in the sense of what needs to be said about it, and what would you like to s

interesting thing, but i read the fuse, as they say, i really wanted to do this. and so the film kochigarich is tragic, a very strong actress tunoboeva died, naturally , we stopped filming, and then balabanov, at the request of dmitriev, the head of the state fund, because at the request, even he loved balabanov very much, lyosha edited this one... from the material that was shot, such a film , which in my opinion still has such a separate artistic significance, but of course it’s not the film as a whole, and then there are echoes of the film kachigar, and of course it’s some kind of internal rhyme inside balabanov that worked, there’s also a story of hailak, yeah, at the very end , meant yes ... golobanov is interested as a director, as a cinematographer, that he has practically nothing invented, nothing good has been sucked out of his fingers even in the sense of the word, he simply could not write until he felt it all, walked through it with his feet , won’t talk, but if we talk about the last film, i also wanted what to say about it, in the sense of what needs to be said about it, but