those are the people who could afford to buy the kodak instamatic cameras.have the light in the room, we put powder on people. in this film i remember black folks sweating. you know, i remember the skin replenishing itself, being moist, that's alive. in this film the make-up person was told no powder, only oil. you got grapeseed oil, jojoba oil, shea butter, to allow skin to reflect the light. i think our visual approach because it's coming from my memory of what it felt like to live this experience, and we're allowing ourselves to be rooted in the collection of the character, it arrives fresh and different. i think people when they see the images, receive them, they feel like they're seeing things for the first time even though they may have seen a story like there before, they haven't seen it told in this way. the visuals have a lot to do with that. >> it must make you feel awfully good to know that not only is the film nominated, screenplay, adapted screenplay, film for best picture, as i said earlier, best director for you. you have two cast members nomi