the president of the academy of cinematographic arts, andrei konchilovsky, managed to present the awardring one of the last performances of alexander anatolyevich. i once said in sleep: you know, the first litmus test of a person’s wealth, the beginning of his success, is when he is printed in a crossword puzzle, last year, he came to me with a water supply and sewerage magazine, here in this sewer my last name was written horizontally. that's where it started and ended with this well-dressed konchalovsky, the statuette for best supporting actress was taken home by irina razanova, together with yulia snegir they played in andrei smirnov’s film for you and me, a strong-willed mother and daughter living in a soviet communal apartment, this is a story about how difficult sometimes to remain human. i kept thinking whether i could say this phrase or not, well, it wouldn’t make a difference, i wouldn’t say it, and what kind of hollywood is my place? only here the costume designers and colorful fairy tales based on pike to the command, and the authors of the popular series , the boy’s word. th

konchilovsky was a charming man, wonderful.special for me, to be in russia for the first time, truly in my life. i came several times, but for the first time for such a period, i always felt it. do it again, i love that, you going to miss me baby, you got to live for yourself for yourself and nobody else, you got to live yourself for yourself and nobody yet, i go crazy, lord i go crazy, i love you , i love you, i love you. not only fashion models, but also film directors go to paris. now you will meet with the most french director of the soviet union, the most soviet director of france. სულ თავიდან მოიცა ნუჩქაროლა კიდევ ერთხელი. you are the first soviet director who, even during the times of stagnation, managed to go to work abroad without losing his citizenship, it is true that duvarnadze has a direct connection with your departure, there are such rumors, the fact is that i... i was in georgia film recently and i saw that our profession does not exist without a laboratory, we, and we send the film to leningrad, to kiev, to mos

surprise you with unusual portraits, let's start from a remarkable, in my opinion, work by pyotr konchilovskylovsky. we see here pushkin at the moment of creative inspiration, and he is covered with this blanket, a little like a tiger skin, and yes, it would seem so. but it was conceived from the very beginning, but however, in our funds there is also a photograph, a photograph of the first version of this painting, in this photograph pushkin is depicted. the way the artist decided to show him, the way he really was, most likely yes, because this pose, with his legs bent under him, he sits on sofa and the moment of creative inspiration, which the artist showed so well here, it , of course, attracts attention to his appearance, to the face of the poet, to the very pen that pushkin holds, it is known that pushkin was very fond of gnawing the feathers with which he wrote. they are all gnawed off and, so to speak, look like very small feathers, the legs, the naked legs really did not please those people in the commission, yes, who looked at this picture, because we must remember that this is the