it all only in the minsk region, left, dug for 21 people, of their three children, i'll give you kondra garden. us jail of the holy national remains museum broadcasts silence with a bloom of belarusian stories about the war, written on papier according to the measures of the fallen fallen and large-scale canvases after the cake era, a new exhibition project, just before the day of fallows near the perimeters of the halls, the thieves of the forties and the fistfies of the fifties documentary about ali and the tin for more works can be read and minsk in most of the works were really simple, but in envelopes we also had a task. show works of a small format of work, which are often not used for large war years from a lydic point vision, because often, of course, we know that artists painted military actions, but devastation, and misfortunes, but often artists, of course, wanted to write. and what surrounded them. and what they could be inspired by and what caught their eye often. indeed, these works become such a revelation for us. reconstructions of the ubat era of the tire of my country

is it all only the minsk region left this one for 21 people, of their three children, i gave you kondraovgorod properties or novelties. the holy national mostatsky museum of belarus , broadcasting silence before a date, belarusian stories about the war, written on the first after all the small world of the fallen and large-scale canvases. after the ira, you can era a new exhibition project until the day of non -deposit. at the perimeter of the backpack, the yards of the forties and under the shaky fifties documentaries for more work can be read and minsk most of the papers were really simple, but in envelopes we had a task. show works of a small format, works that are often not used for large war years from a lyrical point of view, because often, of course, we know that e artists wrote military operations, but devastation, and misfortunes, but often artists, of course, wanted to write. and what surrounded them. and what they could be inspired by and what caught their eye, often, really. these works become such a revelation for us era reconstruction. just like they are masters, safiev’s

is like an art of life, as a work, that is, there is historical material, how would yours be this kondra do they buy some paintings for expensive, there is some kind of orch, that’s because it’s the same worl, because there is whole life and so on. here in this episode of life. he painted this picture there, it was with that one, then that one, it was checked there. that is, you buy this story, but what is history? yes text that is, it's some kind of you still consider the main direction. eh, the creativity of berouz, was literature, right? well, of course, but these paintings are such artifacts, and accompanying merchandising, that is, for the album cover, in my opinion, one of his paintings, when you get such wild popularity, there are, in general, t-shirts, there and everything. these are also birches. i think there were also t-shirts and some kind of hats, these are some kind of collectibles. there, too, you could somehow jackets. there are some branded ones there. this podcast is a must read. i'm an aglaya for a batch file, a director, a writer, i'm visiting kirill shamanov, writer,