in the podcast 20 years later, i, its host konstantin mikhailov, and we continue.e, where it took place, this raft culture, when did it start and where? well, it definitely started in st. petersburg, definitely, absolutely definitely, the dance floor club fontanka 145 and the first party. 1991 in the space pavilion at vdnkh. all musical circles in the capital were talking about the upcoming event. and even a video was broadcast on central television with an invitation to this cosmic ball. so, more than 3 people gathered for the first raft party in twenty-degree frost; this unique event was written in golden ink in the book of musical history, like a gagarin party. by the way, an interesting fact: on the loon party was attended by real cosmonauts, valentina tereshkova, and georgy grechko. what do you think? from moscow's point of view, it was. before this, the event had never been held entirely at night from 12 , say, to 6:00 in the morning, these were - yes, these were evening parties, basically all the discos ended at 10-11 o'clock, everyone calmly went to bed, in

dj groof and vladimir fonarev, aka lantern in the podcast 20 years later, and i, its host konstantin mikhailovontinue. let's roll back along the time scale there, maybe the nineties, eighties, do you remember the first raft, where it took place, this raft culture, when did it start and where? well, it definitely started in st. petersburg, definitely, absolutely definitely, the dance floor club fontanka 145. and the first party in the planetarium with wesbam, that’s for sure, but that’s when i just ended up in this one, then you got sick of it there, yes i well, i was already a dj, i was already sick, yes, but i’m totally sick. it’s already necessary to explain how classical disco, disco differed from rave, and first of all, st. petersburg had very cool locations, it could be parties in various estates, at the stock exchange, ice skating rinks. that is, completely different places that accompanied, it seems, the same dance music, it was in the eighties and dance floors were in the seventies, but these are lasers, this is a video installation, this is exactly what created a certain image, the ra

i’m its host konstantin mikhailov, and we continue, let’s roll back along the time scale to maybe the this raft culture, when it began and where, well , it certainly began - in st. petersburg, for sure, absolutely exactly, the dance floor club fontanka 145 and the first party in the planetarium with wesbam, definitely, yes, that’s when i just ended up in this one, yes i, well, i was already there. than classical disco, disco was different from rave, and above all, st. petersburg had a very cool locations, it could be parties in various estates, and at the stock exchange, ice skating rinks, that is, completely different places that accompanied, it seems, the same dance music, it was in the eighties, and dance floors were in the seventies, but this ... discos in the huge thousandth spaces of rave, these ones here. we have historical information, which was recorded by our tour guide, anastasia privalova. let's hear what anastasia thinks about the emergence of raft culture, and you you may agree, you may not. the main debut took place on december 14, 1991 in the cosmos pavilion at vdnkh.

in the podcast 20 years later, and i, its host konstantin mikhailov, and we continue. let's go back onlace, this is the raft culture, when did it start and where? well, it definitely started - in st. petersburg, for sure, absolutely exactly, the dance floor club fontanka 145 and the first party in the planetarium with westbam, that’s for sure, but then i just got into this one, you got sick there, yes, well, i was already a dj already, as if i was already sick, right? it is necessary to explain how a classic disco , a disco differed from a rave, and first of all , st. petersburg had very cool locations, these could be parties - in various estates, and in the stock exchange, ice skating rinks, that is , completely different places, which accompanied, it seems the same dance music, it was in the eighties and dance floors were in the seventies, but these are lasers, these are video installations, this is exactly what... that created a certain image of the raif - this image, that is, sub-music as such , and this evolution from minaev’s discos in may , aka also a dj, and of course, by the w

in the podcast 20 years later, i am its host, konstantin mikhailov, and we continue.ems , the same dance music, it was in the eighties and dance floors were in the seventies, but these are lasers, this is a video installation, this just what created a certain image, a raft - an image , yes, that is, sub-music. yes, this is an evolution from the minaevsky discos in may, he is also a dj, yes, of course, by the way, sergei was very popular not only as an author, when he was already came into the world as a performer of popular compositions, but his discos were very popular, i remember this well, yes, i remember too, this is the transformation of these cozy minayevsky discos into the huge thousand-person spaces of raiva, these well, we have historical information, which... was recorded by our art historian anastasia privalova. let's listen to what anastasia thinks about the origin of reifulturia, and you may or may not agree. the main debut took place on december 14, 1991 year in the space pavilion at vdnkh. all musical circles in the capital were talking about the upcomi

that's all for now, see you later, this is a podcast 20 years later, i am its host konstantin mikhailov childhood, which is... completely impossible without resin chewing gum.

i'm its host konstantin mikhailov, my guests today are the legendary djs lantern and gruf. when did you start writing music after you became a dj? i immediately became, i first started writing music, and then became a dj, very cool. uh, if someone in the tank doesn’t yet know that dj groof, he ’s actually not really a dj, he’s a composer groof, he writes a lot of music, electronic, and he writes a lot of music for films, for which he has a lot of awards, all sorts of prizes, and continues to write music. for the movie, let's watch an excerpt from the video - a piece written to my wife with a groove: oh , girls, this is still not my music, that i’m tired of it, but i can’t, when there are no words, i want something catchy, i’ll go talk to the dj to play something else, i haven't seen this for a long time, but wow, dj, yes, could you play something more rhythmic, what do you mean? well, something like that, catchy, incendiary, well, for example, well, for example, a virus, this is a dj, play my cd or now, or you can play it from my mobile phone, from the phone, yes, i haven’t

i, konstantin mikhailov, mean style and music for me. this is the perfect duet.t worse than music and style, because with me today is the incredible, amazing evelina khromchenko, who knows everything about fashion, and even more. and also a tv presenter, my long-time friend, for whom the lifestyle is manifested in absolutely everything, magnificent tani gevarke. soon we will meet our heroine, but for now a few facts about her. she was born and lives in the stavropol territory, is engaged in agriculture , and collects. 70 liters of milk a day, and also be proud of the fact that on new year’s eve i gave birth to someone who, we’ll find out a little later, about everything in order, in our studio is our husband heroines, evgenia, hello, evgenia, and tell us why you came to us, hello, well, desire brought me here...

this is a podcast 20 years later and i am hosting it today, konstantin mikhailov.include legendary djs lantern and gruf. when did you start writing music after you became a dj? i immediately started writing music. if someone in the tank doesn’t yet know that the dj is a groover, he’s actually not really a dj, he’s a groover composer, he writes a lot of music. electronic, and he writes a lot of music for films, for which he has a lot of awards, all sorts of prizes, he continues to write music for films, let's watch an excerpt from the video, but can you play it from my mobile phone, but i haven't seen this for a long time, yet very disappointing, when you play normal music , someone comes up to you and asks you to play normal music, and then there are these combines, there is such a situation there that they will always come, the main thing is to be in the right place at the right time, when you have your own target audience, when people know. .. what are they going to do, they are open with their hearts, yes , they open their souls, and you communicate with them, b

respect the young, honor the old, so, guys, this is a podcast 20 years later, and i am the host konstantin mikhailovs are legends, the founders of russian djing , dj lantern and dj group, thank you, we’re playing, volodya even puts it on, look, you see, he has vinyl, he doesn’t play siti. i play on cd, volodya costs vinyl. hello, dear friends, just think, i’ve been waiting for this meeting for 20 years. dmitry maloletov, this is one of the most, not that that the famous, one of the most beloved guitarists in moscow, once with moscow, means all of russia , the most inaccessible, the most fantastic, unique guitarist, we first met on the air, here on channel one, in a program with the sound title apology, it was in.. only he plays like this, moreover, he comes up with his own music, it’s fantastic, look at the style, you’ll now fly above your own chair, and then we ’ll figure out what the essence of this unique style is. dmitry maloletov. an incorrigible romantic, which means that at the heart of this the technique lies in the so-called tep, which translated from english means, well , how to say, push,

this is a podcast 20 years later, me and its host konstantin mikhailov, and today we are immersed in our pioneer childhood, which is completely impossible without tar chewing gum. without any carbonated drinks from the machine, without a bungee, yes, bungee on the river, slavich , of course, it’s sacred, and sometimes in the form of a tire that hung on the trees, and of course, where would we be without such wonderful children’s films as mustachioed nannies, a dog was walking on the piano, and of course our guest is the master of children's and youth cinema and director vladimir grammatikov, vladimir sanovich, good evening, greetings. the whole country was watching the film, a dog was walking along the piano, and i remember how this helicopter tied with a chain tried to take off, they shoved a potato pipe into him, there was something else there, like - the girls tried in every possible way to hold on to this love, a handsome pilot, and i, too, went to see this film many times, naturally, having first played a sea battle in the cinema before the screenings, yes , and then watching th

this is a podcast 20 years later, i am its host konstantin mikhailov, my guest is the group serga, this is the permanent leader, founding father of the group serga, sergei galanin, and sergei levitin, known as lyova, guitarist of the group serga, so we will probably. now we are muscovites, which was called we are children of the big listened to the real anthem of an entire generation of the city, this song, by the way, somehow passed me by, i remember perfectly, and what we need, i remember the beautifully gorgeous warm wind from the roofs, which even today, i think it will sound, i remember , of course, i got used to the song, i forgot, lost it, because it’s personal, i remember it perfectly, and my favorite song is yours, guess which one, you know from... uh, my favorite, but from the old or not so old, from the old, from the old, wonderland, maybe, yes, wonderland, cool, you sing it at concerts, of course, definitely, but i sing it in karauka , please forgive me for this, i’m trying to sing just like seryoga, of course i ’m not good at it, but nevertheless , for some reason this song

i'm its host konstantin mikhailov, my guests today are the legendary djs lantern and gruf.u started writing music after you became a dj, you immediately became, i first started writing music, and then. he writes a lot of electronic music and he writes a lot of music for films, for which he has a lot of awards and continues to write music for films , let's look at an excerpt from a video of a work written for the groom's wife oh girls , this is still not my music, what is it? i'm from her i’m tired, but i can’t, when i have no words, i want something catchy, i’ll go talk to the dj to play something else, the main thing is i didn’t see it, wow, dj, yes, you couldn’t play something more rhythmic , what do you mean, well, something catchy, incendiary, well, for example,