of course, konstantin sergeevich, who is this? who is this? stanislavsky in 1938 and it is simply indecent not to know this. listen to it again. you again i don't agree with you alexandrovna may i teach aslan? i never succeeded. come on joker such thank you alexander goodbye. hello

yes hello hello my name is konstantin sergeevich stanislavsky this is my friend nemirovich-danchenko.ve heard about you . it's natural, only you hurt young. we are members of the selection committee, yes, and here i am and vladimir ivanovich yes, please, this is vladimir ivan free. we could listen to you true oh, thank you come on what are you, are you a singer? no, i want just want. so look, please, please. oh what will you sing to us? what do you need? are you from yakutia or directly from the tundra, oh, ditties, or do you know if there are such songs? well, you understand such songs , some, and this, probably, is excellent for dog folklore, please. and where the asking is preparing for the second round, someone is listening there. in general, everyone should do what he can, and not what he wants. she really came here. and then in our time frosya what is it. fossil stone age funny and wild right now what do you lack sincerity? i often ask a question. ironically, i almost always get an answer, right? and why, after all, you obviously didn’t read it, i wonder if you are doing an expe

names of the composers on the bas-reliefs of buildings and not confuse them with anyone konstantin sergeevich stanislavskyhis is my friend nemirovich pushkin japanese women in love with moscow gumi studied on the same course with the director. anna melikyan is one of the short stories of the film about love - this is her story, the heroine got acquainted with moscow, and the heroine will look at vdnkh about the fate of the first architect exhibitions by vyacheslav altarzhevsky documentary film the architect of the time altarzhevsky came up with the vdnkh project designed many famous buildings in moscow but in the thirties he was arrested and exiled to vorkuta vyacheslav tarzhevsky did not go to vdnkh on principle, but the scheme laid down by the first chief architect of the exhibition continues to live an unusual journey. according to maxim, which was the capital of the thirties in the documentary tape , the architect of time, we will walk along the alleys and boulevards, ride a tram and an electric scooter along with the heroes of the films. i'm walking in moscow come tomorrow and about love today on the

i return to this miniature, which was performed at the evening in memory of konstantin sergeevich stanislavsky country. many of us may be redundant. we got divorced. and other parasites on the body oh lord, but on the body of our country, of course you can what? finally you can they are easy to fire and that's it, but they immediately cling to our body with another lord and again i will drink the blood of the working people the question is how to use their rich experience of the barely collapse of the national economy. how to use them bogotol but the question is how to use? i propose to throw them all in the fight against imperialism. to begin with, we collect people, all these parasites, we teach them the english language , this entire combat detachment. throw i won't say where. so that they do not know ahead of time. acclimatize quickly, with whom to err, they know how to do it and are quick to implement. capitalist national economy exploiter bloodsucker ugh enters the store. and there is already our man. they put on a suit made by our own man. but already in their clothing industry, the mil

of course, konstantin sergeevich, who is this? who is this? stanislavskytanislavsky died in 1938 and it is simply indecent not to know this. listen to it again. you again i are parasites. i do not agree with you alexandrovna whether i can teach aslan to sing depends. i never succeeded. come on such a joker thank you alexander goodbye. hello hello hello what is this show? veronika vasily you can't spare 10 minutes, if you're not in a hurry, please, of course. okay , let's go lunch time. hello . what's in here? there's supposed to be an audition here, but we can never give in. practice but you'll lie, that's when it sounds, so i connected my nose to my chest like a pipe. here from here. hello, you are all so pissed off. i'm sorry, i'm better off in the hall, well then well, shall we sing? what you need is nothing you need you sing only you go forward forward. get out. okay, okay, let's get started. russian folk song along the st. petersburg music , i don’t know the folk words, probably also performs folk songs. this is the father, here he comes. we are dragg

moscow art theater. he has the moscow art theater and the personality cult of stanislavsky and there is a living konstantin sergeevichn artist should be retrained every 5 years for his beloved stanislavsky was not nikolt of personality stanislavsky and this was a man who changed all the time, there is no system, there is no stanislavsky , it's all stupidity, there is a method of work of the great master and that's it. and you were still an artist, that is, you played and didn’t stage anything. nothing nothing. no, it hasn't been good. and now i'm coming from the theater group. there was a good boy from ruben nikolaevich there on the arbat, there was such an eatery where we could soon have a drink, a snack. so well, and the artists are inclined, and we go there, and the corner house. this one opposite here is vakhtangov, and on the corner there was some kind of hospital, and there they already knew in moscow there was a pass of dear leonid ilyich where he looked up there, the lady. whether she is a doctor, or a sister, it doesn’t matter there, which means that here we are going and a cheerful leonid ilyich of the lady