yes, before those who are in the orbit of konstantin sergeevich stanislavsky, of course, yes, just tender-tender pretend to be anything, you can’t pretend to be anything . you just need to find some kind of support within yourself, that’s why oleg dal told me then. he is the life of the young theater, of course , of course, yes, shchepkinskoe famous and he said that boris andreevich babatkin, actor thresh famous legendary chipaev performer. yes, yes, yes, yes, he was already a champion for years, all the gray-haired he said, i only now realized that there is no need to play anything. this wonderful phrase will open up a lot for me, because i uh, really love what you do on stage, but always thank you to understand, how is it like from the inside? and here a huge thank you to you, by the way, yeah, we haven’t mentioned anton pavlovich chekhov yet. yes, this is also a whole universe, i staged graduation performances with students twice. ivanov chekhov and the guys managed a lesser known play. she too very important. the guys coped, in general, chekhov is very difficult, of course, for the young the

before those who are in the orbit , konstantin sergeevich stanislavsky, of course, yes, yes, tenderlyup with a phrase that nothing can be played. you need to grow it all in yourself. yes, stanislavsky says something like this that you can’t imitate anything , you can’t imitate anything. you just need to find some kind of support in yourself, so oleg dal told me. he is life ground theater. yes, of course, of course, yes, shchepkinskoye is famous and he said that boris andreevich babkin, the actor is threshing the famous legendary performer chipai, that he was already a little inclined in years, he said all gray-haired, only now i realized that nothing needs to be played. it's a great phrase to open up a lot for me, because i, uh, really love what you do on stage, but always thanks, it's clear, how it is, how it is from the inside and here thank you so much, by the way, yeah, we didn't mention it yet about anton pavlovich chekhov yes, yes, this is also a whole universe, i staged graduation performances with students. ivanov chekhov and the guys managed a lesser known play. she is also v

konstantin sergeevich stanislavsky the whole world knows his system, which is based on the proposed circumstancesnly. the main thing in the system is the art of experiencing. in contrast , i assume the art of presentation. this is the main thing, sergei, if you give birth to this person, you will stop with him. that's how a poet is. you took advantage of stanislavsky’s system to some extent, which i mean often in your poems. and if you can, so to speak, transform into the heroes of your songs, for example, yes, that is, in fact. yes yes it is absolutely absolutely absolutely absolutely, go ahead and transform yourself into the hero of your lyrical songs. this 100% helps me 100% 100%. do you understand? well, uh, besides the general, so to speak, formal things that, uh, like in a role, like in a song, there should be a plot, there should be a climax, there should be an ending. do you understand that this suits acting? but, if we talk about these images, there is also a special language; for each song you hear very precisely the person from the person whom this song is sung ; this could be, for exa

theater, he has the moscow art theater members, the cult of personality of stanislavsky, and there is a living konstantin sergeevichrtist must retrain every 5 years, for his beloved stanislavsky was not, not a cult of stanislavsky’s personality, but this was a person who changed all the time, there is no system for stanislavsky, it’s all stupidity. there is a method of work of the great master of everything. were you also an artist? the artist and i played did not stage anything. nothing, nothing, no, nothing good has happened yet. so, i’m leaving the theater in a group, zhenya simonov, ruben nikolaevich’s son . there is one on arbat, it was good the kind of eatery where... you could quickly have a glass, snacks, so, well , artists are inclined, and we go there, and the corner house, this one opposite, here is vakhtangov, on the corner there was some kind of hospital, and they already knew in moscow, there was a dear leonid ilyevich, where he looked, there lived a lady upstairs , whether she was a doctor, or a sister, it doesn’t matter there , so here we go and a cheerful leonid ilyevich comes out from there, which