, then about korenin, then there you are, it’s all scattered, how to put it together, that is, you needy have read, what they know, and well, something like this, well, they don’t have this, i don’t even know how it is to name themselves, well, they don’t know how to go deep, and in general, to immerse themselves and go deep absolutely, no, they don’t want to, well, as a gi graduate , you probably follow the fact that many famous russian directors left russia after well-known events, in your opinion, there is a feeling that has the theatrical landscape become cleaner? i, of course, keep an eye on some new releases of performances, it seems to me that the format of the theater has not changed, it is moving somewhere further in its development, but in general i look with regret at those who left, can russian theater be in demand? theater school, directing school abroad? i can even argue about this, because i myself was, as it were, a participant in the process of a theater school, a russian school, it is a block, an absolute block, it seems to me that no one will ever destroy it in their