this is korin from the stories of the indigenous population, where we are with you now we are belarusian - these are containers and belarusian jews, the fourth hall. we use under temporary exhibitions. they are constantly changing with us. please tell us about your project ivi through prism , the modern capital. the visitor is quite demanding and not ready to just listen to the guide, specific participation is required. we responded to this request of the audience and through the previous century - this is a sightseeing tour of the museum with elements of centralization throughout the entire tour. visitors are involved in this process. we play. and not only in belarusian games, but also in jewish ones at a meeting with the grand duke of the bits there and khan tokhtamysh, the visitor will find out. where did the muslim tatars appear on the territory of belarus? well, the final chord sounds hava nagila, we are learning. for the jewish dance and those who danced well , we treat the traditional tatar sweetness with a galma, this is honey, flour and butter in equal proportions, so to speak,

dmitry, the point of view of korin georgievich is very close to me, and the first two questions are that difficult struggle. mm fight on several levels and hmm concentrate on only one and see only one level. well, for example, there they put the squeeze on the grain deal and so on, not realizing that there are still other levels above and below the relationship with uh, developing strange relations from the middle east , relations with individual leaders, who also have their own economic personal interests, are impossible. here we need to learn understanding this complexity of all this, because you can beat on one level , which is considered the main one and lose on all the others, and then what will be your victory in that you won, uh, and got absolutely dead territory under control the former ukrainian ssr, having quarreled with everyone, and uh, being in complete international isolation to you say, well, let's restore. and here, of course, we are talking about sometimes giving in somewhere, sometimes playing along , including people who you remember, like in the song of a boaster, you