in general, korsh provided, he thank you. keep 10 paces behind. clearly understandable.rted. his road to the cinema and, probably, from this film also began, as it were, my road too. in general, in the cinema, because before that i had only worked with a pigeon on a film by a mycologist steam locomotive. e assistant at the solid on the film our neighbors. well, like this, from beginning to end on the film it was, of course, the film red leaves. here i think that ienkovo. well, as if i, too, we started with this film, that our path in the professional cinematography of the word was filmed a lot both at our studio and at other studios, but still, of course, the theater remained the main thing for him. yankovsky in this composition, rostislav nina, his wife , his son igor, whom they had already arrived here and their younger brother oleg, they all settled in the dressing room of the russian theater and in this dressing room. slava has been in this dressing room lately for almost 60 years, of course, there was already a sofa there, which means there are some mirrors there. e