iosifovich maozon belarusian director kosh sablin director alexander falshimer the picture became a post-war film made on foot at a film studio, belarusfilm, go yak, they are shown wim, lumpy. screenshot the heart or reached. now i have fresh calms for them who waved at once for the elephant feat of the belarusian partisans will be shaking. and give if many generations in the first post-war years, despite all the difficulties of restoring the national economy in the republic, a solid foundation was laid for the renaissance and the development of national culture, the theater was restored. it was destroyed and rebuilt. he already had a beautiful theater appeared on the alder. now i remember that 86 one-story bureaucratic buildings were built, starting from this year's hair yakubok, they went to the cinema, but not only the opening objects of culture became events, even simple, no-nonsense events were works created by belarusian composers. mi musicians the post-war premiere of zolotarev's ballet prince light saw the outstanding works of rybakov's poem hatta yakub kolas, the poem bread by petru

iosifovich mavzon, belarusian director kosh sablin, director alexander falshimer, the picture was the first post-war film made at the film studio. belarus movie, go. which are shown wim, a lump turned into the heart of the ice show. i am now freshly remembered, who waved at once for the elephant feat of the belarusian partisans will be stunned. and opine if many generations in the first post-war years, despite all the difficulties restoration of the national economy in the republic, a solid foundation was laid for the renaissance and the development of national culture , the theater was restored. it was destroyed and rebuilt. it was already a beautiful beautiful theater appeared on alder 86, built a one-story building, went to the cinema, but cultural events, albeit simple without frills , became a work created by the belarusian composer. the belarusian opera opened the post-war season with musicians and artists the light was seen by outstanding works poem by rybakov hatt yakub kolas poem bread by petrus brovka and many other theatres. composer's school unique creative teams capella n

no, for the first time, nu urgant invited vladimir vladimirovich koshe to the belarusian cinema. sabline photos are here, just as i opened here yankovsky with nina urgant, neither on the urgant film red leaves. well, for some reason, korsh did not fit urgant, but yankovsky korzh well , he understood that, probably, the young artist would not pull the main role, he invited him to the episode. in my film dedicated to the centenary of leather, saber, together with him yankovsky recalls this, that he says, the korsh told me to do that i’m not standing in the doorway here. here. i'm so happy somewhere, here i'm watching someone. here i am running somewhere, what for? i didn't understand what was going on i need to do, but when they say, i looked at the finished picture. i say i understood everything, that it was all storyboarded, that it was all thought out, that it was all in general, foreseen, he thank you. keep 10 paces behind you. clear yes , clear. that's how it started. the road to the cinema and, probably, with this film also began, as it were, my road too. in general, in the cinema,