intonation madame well, as you might think, i am a serious person in mayakovsky's native theater, kostolevskaya century. a performance became a turning point in his career, and an enterprising hairdresser. look who came the work was hard, not everyone believed that romantic movie heroes could cope with the difficult a theatrical role, my profession is one of the oldest, i am the confidant of the creator. i take off everything unnecessary. and you, i never liked replicating my own appearance. and i was to some extent. despite all the fact that i am eternally grateful to cinema and television, i was, as it were, a hostage to it, and i always wanted to embroider. i wanted the viewer to see, you understand, my rich inner world, and the theater allowed me to do this in gogol’s, the passionate marriage of ivan karamazov according to dostoevsky, talking about sin and freedom preacher schultz for the philosophical play kant and even for the role of plyushkin in which kostolevsky is completely unrecognizable. he agreed without hesitation, even picked out the suits himself and rome didn’t look like it. a