issues of age, visited the legend of russian art in her apartment, in a high-rise building, on kotelnicheskayahe two-story high-rise building near the kremlin has become a symbol of bohemian life. over the years, faina ranevskaya and marina lodynina, lidiya smirnova and klara luchko, konstantin pustovsky and alexander tvordovsky, lyudmila zykina and galina ulanova lived here. many of them were neighbors of irina vasilievna kostrova. many interesting people lived, everyone... in the evening they went for a walk, sat on a bench, talked, got together, here we have, if you look from the balcony, it was big it’s a very garden, now it’s smaller , there are tables there, and they played chess there, we talked a lot, i really, since i was very busy, i wasn’t not a pensioner, so you understand, but i was friends with a lot of people, especially with ladinina , this is the most. because she kept dreaming of exchanging apartments with us, where is your place of power in this apartment? here is my grandfather hanging, he is reading a book through a magnifying glass, my grandmother, my grandmother on my mo

i say, can i interview you, suddenly, i tell her, she says, please come, i’m coming to her on kotelnicheskayaterview with her that she said: one sunday of the month is always yours, and i visited her, well, probably every day for two years a month one sunday, i was already studying at the shchokinsky school, we talked with her, i recorded these conversations on a tape recorder, once i did another interview, she told me, in her book, by the way, she also has that about the prejudice that she somehow noticed that one person always goes to her performance, sits mainly in the first, second, third row, the best seats, and somehow after the performance she saw him already, that means on the street when she i was walking from the service entrance, she said, i’ve been watching you all this time i see you love the circus so much, do you like mine so much? tion, he says, no, i’m just waiting for the lion to devour you, this is a fan, let ’s talk about phantasmogoria, where we, which you already mentioned, you play a tv presenter who has gone crazy, let’s watch a short excerpt from your duet with alexan

invited to visit, hello, we’re coming to you, the renovation of the famous high-rise building on kotelnicheskayae first owner, professor ivan roshkov, elena’s grandfather. for his services to the state in the field of geology, he received two stalin prizes and this two-room apartment in a prestigious house. grandfather, when he received state bonuses, he committed certain shopping, i bought paintings, a chandelier, this is an office, so i live a little like in a museum. but store it in the kitchen. neither elena nor the younger generation absolutely wanted signs of antiquity. as far as i know, stalenite, this glass is called. yes, this is the special glass that was used in the construction of these high-rise buildings. all this is truly amazing, but maintaining it in a decent form is almost impossible. to be honest, we are tired of the soviet era, we would like to somehow feel a little bit like we are in the 21st century. olga and katerina listened to her wishes, the kitchen really turned out to be modern. with a new double-glazed window in a pine frame, functional appliances, a tv behind a mirr

the renovation of the famous high-rise building on kotelnicheskaya embankment happened 3 and a half yearsgrandfather. for his services to the state in the field of geology, he received two stalin prizes and this two-room apartment in a prestigious house. grandfather, when he received state bonuses, he made some purchases. here the paintings were purchased. high-rise buildings, all this was really used in the construction of these amazing, but maintaining it in a decent form, it’s almost unrealistic, to be honest, we’re tired of the soviet era, i want to somehow feel a little bit better. in the 21st century. olga and katerina listened to the wishes. the kitchen really turned out to be modern. with new double-glazed windows in a pine frame, functional appliances, a tv behind a mirrored wall, plenty of storage space in bronze-colored cabinets. but of course we couldn’t do without the symbols of the era completely. the round dining table was decorated with a red star inlaid with japanese maple root. and one of the walls is painted motives. after the broadcast, the main subject of controversy

concerned about issues of age, visited the legend of russian art in her high-rise apartment on kotelnicheskaya a walk in the evening, sat on a bench, talked, got together, we have it here. if from the balcony look, the garden was very large, now it has become smaller, there are tables there, and they played chess there, and talked a lot, i really, since i was very busy, i wasn’t not a pensioner, so you understand, but i was friends with a lot of people , especially with ladynina, this is more than anyone, because she kept dreaming of exchanging apartments with us. where is your place of power in this apartment? here is my grandfather hanging, he is reading a book with a magnifying glass, my grandmother, my grandmother on my mother’s side was an artist, she exhibited in the tretyakov gallery, the wanderers, here i am when i get up, here is a portrait mothers, here is a portrait of my grandfather , here is a portrait of my aunts, so i get up early in the morning and say: good morning, my dears, today is such and such weather, hello, irina vasilievna kostrova , a hereditary noblewoman who grew up

about her love for her husband, life and profession. and his cozy apartment in a high-rise on kotelnicheskayaa long time for answers. i waited a month, i waited for two answers, and i decided that’s it, they are telling the truth that i am... a capable girl, that i have good acting skills and decided that this is all untrue, and that i will never be an artist and so on, and i decided to commit suicide at 4:00 in the morning, my mother came to my room and saved me, then i realized, they told me that they didn’t register me because as soon as it came to the hr department, the hr department wouldn’t let me through, because i filled out a form , that i had a father, white officer, two st. george's crosses. and one of alexandria, the daughter of a white officer, then i myself called the army theater, where there is no department , there is no need to write who the father was, the mother was there and so on, marena knebel saw me in this theater, she invited me to her theater, mariosina knebel was the host director in an art theater. with the light hand of director and teacher maria knabel, irina va