, the cantar of the vilna synagogue, pouring from kremer’s voice. he began to learn cantorial singingchants , and having already had the experience of a music school , he wrote it all down on notes, creating such a folder of these cantorial chants, with the hope of someday publishing it, maybe, yes, he it will publish, it will publish. no wonder he did this. and what else was interesting: in minsk, at the house of culture of the komvolny combine, there was a studio, a troupe, operettas, and its musical director was heinrich wagner, the future composer, the future people's artist of the bssr. wagner from 27 to 309, in warsaw, was an accompanist of the famous world-famous cantor mosha koussevitzky, moreover, then in the ussr from 39 to 47 before mosha koussevitzsky emigrated to the usa, he again accompanied him in the ussr at some concerts, having this is the entire repertoire of the famous cantor. wagner began to pass this repertoire on to anatoly nalivaev, they began to learn this cantar singing, the correct pronunciation in yiddish in hebrew was taught by nalivaeva, an honored artist