[jazz playing] kris kuramitsu: we have this idyllic image of 1950s america with families b buying homes inn thehe suburbs, there's jazz playaying on thehe stereo, technology is ushering in the new jet agage... but while that stereotytype was trtrue for some, that ararticulr american dream was not available to everyone, nonot even some of those a artists and d designers whose wowork really visually fine that t era. alexandra lange: not only are all of these artworks immediately recognizablble icons of post-war american art and design, but their second generation japanese american makers share a common bond