unrealistic, well, we tried to destroy them from considerations even curiosity, we we played in kropkus cityholi torn apart. as part of some kind of theatrical performance or just a concert, here is the soundtrack? well, the soundtrack went on like a performance, but we still consoled ourselves with hope. here we need to say two words, perhaps about leonid ermolnik and valera todorovsky. we had such a period of creative communication of some kind, an idea to try to achieve something very large space. i am very grateful to these wonderful people, because we tried to close the chain of these numbers into some kind of action, into a plot space and something holistic, and here our story was very useful, we met for almost six months, so to speak , tried to look for some kind of scenographic adequacy, and generally speaking, i wanted to somehow go out into some wider space, and despite the fact that this did not end in anything, i somehow feel very very warmly towards leonid, who helped us financially and... and somehow meaningfully with valery petrovich it was such a very interesting work. i will add