the place where the coryphaeuses lived, korney chukovsky, lev kassil, boris pasternak and so on, kudzhava, i have one personal memory dear to me, about peredelkino, when i first got there, having just started working in yasnaya polyana, being a very young person, i needed to hand over books and documents to igor petrovich. he is over 90, but we recently filmed an interview with him, and i remember what a thrill i had when i was driving in the car from tula to peredelkino, imagining a meeting with this literary place and with igor petrovich, the thrill was based on some - rather for me it was based on the foundation of the sixties, that... against the backdrop of some snow, yes, most likely in his own dacha modest in alterations, it may well be that this is a dacha alterations, where now the museum, the guitar is not very serviceable. simple, yes, now i perceive peredelkino differently, rather more - rationally soberly than romantically, on the one hand, this is a place that reflects the complex history of the country, which can simply be compared with how someone lived, what was the react

versions, without extolling anyone, a little more broadly... sometimes akhmadulina is added, sometimes kudzhava yes, but this is the canonical set, and there were many poets at that time, here is one of the cases, just the four that i named, here, how it happened, robert ivanovich entered the literary institute on the second try in fifty-first year, this is how it all started, how it all happened, what do you know about it, akudzhau, he was not in the sixties, a sixties man, he was not considered, because these young guys, i think that they can be called geniuses without any problem, they could not allow themselves to put on the same level such a distinguished person who went through the war, who is older, just yes, that is why he became a sixties man decades later, but he was sort of written in there. no, for example, yes, well, yes, no, well, of course, this is still missing akhmadulna for the complete, this will be a complete set, yes, a complete set of sixties men, yeah, and your idea of ​​this era is somehow evolving, now do you think a little differently or the same as then, because well,

ulat kudzhava. his sculpture appeared here 20 years earlier.has its own explanation. the wife of the space designer korolev, imagine, we are proud of what, we are proud of the victory, we are proud of gagarin, and all this coincides, ah arbat, my arbat, there is at school even his own arbat, where you can listen to akudzhava's songs, read his poems, breathe the air, breathe the first grass, the reeds, while it sways, every song, while it can be heard, a warm woman's palm over his head, breathes, breathes, can't get enough of it. they are very similar, not only in appearance, both went to the front as volunteers, both were wounded, gert's wound left a mark for life, playing the same panikovsky in the golden calf, he limped for real, this is an opera, when i go to the goose, carmen, you understand, listen, it is this role, as they say now, the second plan made ghetto famous, it's not gold, saw, saw, directors loved to invite. not only dolls, he voiced foreign actors popular cartoons: as you name a yacht, so it will not float, as you name a yacht,

it a place where the coryphaeuses lived, korney chukovsky, lev kosil, boris pasternak, and so on, kudzhavasonal memory of the remake that is dear to me. when i first got there, having just started working in yasnaya polyana, being a very young person, i needed to hand over books and documents to igor petrovich zolotovsky, a literary critic, god bless him, he lives in peredelkino, he is over 90, but we recently filmed an interview with him, and i remember how thrilled i was when i was driving in the car and stuly from peredelkino. that shchenko, vostresensky, akudzhava were here, that this is a place where poets lived, who spoke to a large number of people through their poems, probably with this, here is bladshalovich with a guitar, young, strong, beautiful, against the backdrop of some snow, yes, most likely in his own modest dacha peredelkino, yes, it may well be that this is a dacha in peredelkino, where it is now a museum, the guitar is not very good. yes, now i perceive peredelkino differently, rather more rationally soberly than romantically. on the one hand, this is a place that refl

most of all in poland, there they have three of our names, this is vysotsky, yeah, this is bulat kudzhavasay, never left poland, so i traveled with zhanna around poland, and the east, west and north, and how they receive her there, you know, if only she would come to poland now, they were everywhere. such a spring, don't give a damn, a couple of galitsyn, a carnet, and walensky pour some wine, cornet, and valensky pour some wine, we're leading a squadron over the gloomy don, they're giving arbak, familiar faces, a slutty, gypsy girl rushes through dreams, everything will be fine, lieutenant golitsyn, for everything, commissars, they'll get it in full, for everything, commissars. they'll get it in full, but somewhere nearby, troikas are rushing by, alas. and we don't know what our fault is, lieutenant golitsyn, so be a steadfast carnet, abolitionists, pour some wine, cornet, pour some wine into alensky, ah, russian with... the ship's course, couple, golitsyn, and maybe the sun, the great sun, won't change us, let's turn away, why do we need foreign land, my friend, why do we need foreign..