harry potter kung fu panda and the transformers will be among the attractions at the universal studios amusement park currently under construction in beijing and visitors won't need to take it thanks to cameras that will scan their faces to see if they've paid. visitors to beijing universal studios theme park you don't need show their faces to catch kung fu panda and the minions universal's new park will use facial recognition cameras to internet giant ali baba's pay electronic payment platform visitors can open lockers pay for meals and join xpress queues for rides using their faces. we hope people will discover with amazement that they can travel freely and the whole resort only using their faces created a new expression for a tour with space. on them it's only in. china is the world's leader in facial recognition technology there are concerns about privacy and it's used by state security for a wide scale surveillance many optic ations for commercial purposes such as supermarket checkout and these have been embraced by consumers. since we can use facial recognition to take the subway

shrek, kung fu panda, how to train your dragon, just a few of the film series created by dreamworks animationeir newest film, abominable, has released in the states and topped the weekend box office. as animation techniques improve, the amount of time it takes to make these movies increases exponentially. take this guy for example. the original shrek in 2001 took six terabytes of data and around five million hours of render time. for abominable, we had 150 terabytes of used space that'll be archived, and then we had another 150 terabytes of temp space just for effect simulations and all that data. and we used about 181 million render hours. work on abominable began seven years ago. so why does it take so long to get the original idea from paper to screen? making an animated movie is almost like you're making a live action movie. and all the technicalities of a camera in live action are now incorporated into animation. before we used to do all in 2d, we used to film with a camera locked up and on top of a table, so everything had to move down on the paper. but with this kind of technology, the