soon it will be 2 years since you assigned to each other the kupala theater it's hard to cope with yourverything to hell. you know, i 'll be honest, it's very hard. that's great. mega, it's hard because the theater is any theater, and the national academic theater. this is a huge structure. it's like water. and where is the artistic director or the main director? again, uh, there was a huge staff of helpers. now there is no one, and there are very few of us. after all, there used to be 70 sometimes 90 people, but in a corpse, uh, and uh, this made it possible to rehearse several performances. now we can't do that, because we have every shed of gold. well, as i understand it, let it be time to replenish this resource. daniel has now taken a course. he is also around him, probably, some kind of youth revolves. i don't know is it difficult , did you cross it, you know , the line, when young people were pecked at for the fact that they come to you there communities. eh, she was shy, you know, tension. i didn’t ask, apparently yes, because when we started the restoration of the peacock, this

soon it will be 2 years since you were appointed to each other of the kupala theater, it’s hard for youerything, send everything to hell. you know, i 'll be honest, it's very hard. that's great. mega, it's hard because the theater is any theater, and the national academic theater. it's a huge structure - it's akin to water. and where is the artistic director or the main director? again er, there was a huge staff of assistants. now there is no one, and there are very few of us. after all , there used to be 70 sometimes 90 people, but in a corpse, uh, and uh, this made it possible to rehearse several performances in parallel. now we can't do that, because every shed is gold. well, as i understand it, let it be time to replenish this resource. daniel has now taken a course. he is also around him, probably, some kind of youth revolves. i don't know is it difficult , did you cross this one, you know, the line when young people were pecked for being with you there go the communities. eh, i was shy, you know, absolutely tension. i didn't ask, apparently yes, because when we started the restora

re-reading the interviews of recent years and thinking a lot, most people supported the corpses of the kupala theateranted to stay and work here in minsk, but there were, of course, both curses and curses. i 've read those, yes. no one will ever come to the theater to see you. and in general, you will not see more spectators and actors will not work there, and so on. well, this is interesting to read today after almost 3 years, what about the attendance, and the attendance i will say that we broke through this wall, which was built thanks to our departed former colleagues, who, uh, escalated the situation thanks. a certain number, probably, of such zapolnye people who, you know, are indoor extremists. i call them yes, and who will speak, so write any heresy. and of course public opinion. it's a lot, so it's understandable. yes, and at first it was very difficult when few people came, but i personally and each of us from those who listens to kupala, immensely grateful to the people who came, went and walked and watched and rejoiced together with us live. uh, the life of the heroes that we live again o

we see that not everyone had the theater that we now call yankees. kupalaity theater ulan-bank, by the way, it was saved, but what was interesting about his project, which was not accepted by the fact that it was completely unexpectedly deployed. l would our thinking in the direction of the oktyabrskaya square opera house to approve and failed to put the issue on hold until better times and ambiguously. at the same time, the square was decorated with the palace of trade unions, which embodied in its facade the classic trends of the palace style. nine-columned portico or stumps on the ceiling in front of the entrance to the building precise pediment with a sculptural group of the word labor others elements of the dispute and around the draft solutions of victory square. she crowned the architectural ensemble of the center of minsk along stalin avenue by the architect of the cormorants of the device of ancient temples ; the placement of buildings in a circle ; the construction of the avenue was carried out at an accelerated pace, the architects did not leave

decent situation in society , that is, who is left . leave, listen to us even the national theater, the kupala all, what does that say about ordinary people, uh , but when you don’t return, so that you will be considered , says the commission, like these stalinist troikas. good and evil, if there is a crime, the court should deal with it . it's absurd, that's it. it's interesting how everything will happen when these people cross the border back from the territory of belarus , will they not be taken somewhere there, well, by chance , they will be mobilized somewhere so simple. let's say that they will perform certain tasks. please tell mr. andriy, is the number known? of people who left the territory of belarus, how many are there? yes, it is more than 300,000, if we take, er, those who left after the 20th year as a result of repression, or er, the destabilization or screwing that lukashenko arranged, more than 300,000 most of them are qualified workers in various fields, doctors, teachers, entrepreneurs, it specialists, people of culture, art, sports, and so on . listen, if we now have an oly

kupalovsky lived and will always live the artistic director of the yanka kupala national academic drama theater olga nefedova. she spoke on sensitive topics in the program, say we are not silent about the lessons of the twentieth year, if today the audience and audience support at the theater, as well as the return of fugitive artists. does the upalavsky need them? i don't think about our life together with departed colleagues. perhaps on stage, because okupalovsky has always differed from other theaters in the presence of a soul. and when we are all on the stage, we said, who is more, who is less who was given from there by the soul, yes, that's why it was always warm there and now it is warm and sincere. and how can you open your soul, being, uh, on stage with someone who betrayed this place, i personally don’t see this, which fate sends. what is modern theater with a century-old background and what it's like to combine different incarnations of an artistic director, and the actresses of the tv presenter also keep the high bar of the main theater of the country, see the full version of the in

the next message came as a surprise to minsk near the theaters and on yanka kupala, who had left theng rubber workers of the youth of belarus, pyotr masherov, with his victory , that the 51-year-old plan for koksa khyzu was kicked out by 2003%. in the first century, minsk region, rudensky pukhovitsky chervinsky districts the republic of the task of producing chestnuts for ukraine of culture the belarusian carriage was channeled with honors at the beginning of 502 and this message was also listened to in the club of the kalinin ostrovsky collective farm village council of the bobruisk region. and also a broadcast from the congress of rubber growers, which was organized by the belarusian radio. among the leaders was called komsomolskaya pravda glasha khodosevich, a leader of the local collective farm, and the region was noted at the republican rally. as a rally in the club and a certificate of honor from the district committee of the komsomol of the district , he managed to collect 42.8 centners of a hectare from a field of almost three hectares and congratulations from the pioneers wi

the first five years after the war ; another message was unexpected in minsk near the theater named after yanka kupalahe rise of young rubber growers pershis mole of the rcc lksm of belarus pyotr masherov yaki, opened it at his promo story that in 51 the plan for koksa khyz, forged by 223% at the forefront, minsk region , rudensky pukhovichsky chervinsky the areas near the warehouse to the republic of the task of producing chestnut and culture for ukraine the belarusian carriage has been channeled from ambition. at the beginning of 1952, this message was also heard in the club of the kalinin collective farm of the ousovsky village council of the bobruisk district. and also a broadcast from the congress of rubber growers, which was organized by belarusian radio. among the peredoviks was the komsomolka glasha khodoseevich, the pig farm of the local collective farm, and the region was noted at the republican rally. as a rally in the club and an honorary diplomas from the district committee of the komsomol district throughout the link. from a field with an area of ​​almost three hectares, they managed to

how the same adventures before vyrovich or kupala take place behind closed doors, and then we don’t see these movies are not in theaterson that the directors themselves ask me simply as a person who writes about culture. what about our ribbons? why doesn't anyone see them? as for those two tapes that you voiced, but hmm, they don't sell us the rights to them, and this is not in my competence to discuss. why we do not see these films, and we do not show them. here, and we, in principle, work very closely with the national film studio, belarus is a film and we try, but to show, and as much as possible their exemplary work, those works on which they provide us with the right to show, and in may last year, belarus also showed one and a little later, the tv channel belarus 3 premiered the film studio, belarus the film flame under the ashes is an eight-episode, and hmm, such an interesting series with a double storyline with a parallel modernity. ah, the great patriotic war. and we constantly show documentaries belarus film , too, to which we are granted the rights to explain, of course, all rights belong to the national fil