opened the way for you in kupalovsk or would you they were there anyway, i never dreamed of the kupala theater, it went into some other development, i i hope so, yes, that is, that i am beginning... to develop, so i only had it in terms of development, but i never dreamed about kupalovsky, and the fact that a place became vacant or something else, well, i don’t feel that way, that is, this is my pre... experience for development, but the theater, well i hope, i would also like to believe in this, that for the theater this is also some kind of experience, and for olga valentinovna fedova, and for the artistic director of the theater, well, i hope, since they haven’t kicked me out there for 3 years, it means it’s also some kind of experience , i’m in ours, moreover, i would pay attention that not only are they not expelled, but they also give grants, so and the ministry of culture, i also hope that i justify some of my productions , well, i hope that... it treats me well, and as for compromises, you have some kind of red line, a red line, as they say now , which you will never cross in the art o

i never dreamed of the kupala theater, there was no such thing, i didn’t dream of a theater of any kindi am starting to develop, but i only had development, but i never dreamed about kupalovsky and the fact that the place freed up or something else, well, i don’t feel like that, that is, this is my additional experience for development, and the theater, well, i hope too, i would like to believe in this, that for the theater this is also some kind of experience, yes, for olga valentinovna fedova, but for the artistic director of the theater, well, i hope, since i haven’t been there for 3 years they kick you out, which means it’s also some kind of experience, i’m in our summer, moreover, i would pay attention that not only do they not kick you out, but they also give grants, that’s the ministry of culture, i also hope that i’m justifying some of my things productions, well, i hope that he treats me well, and as for compromises, you have some kind of red line, a red line, as they say now, which you never. will you step into the art of compromise? yes, betrayal, i will never commit it, betr

you consider that in the forties, while under occupation , these big flags were hanging at the kupala theatermong its own. we'll talk about the constellation under which you were born, it's libra, right? i call it terrible, i know, because it’s a constant swing like this, so i ’m asking, did you regret or didn’t regret anything? no, no, no, there are, but there are also things that i accept here now, right there, here. and i did not i regret it, but there are, of course, those that i can hesitate, that’s all, well, then in the twentieth year, you didn’t hesitate, no, then it was clear to you what they were guided by when they made that decision that i would stay, i will be with the theater, with myself, my thoughts, my feelings, i need to be, i must be here , this is art, this is theater, i love it all , this is important to me, and i will be, the man dreamed of the theater, does mikhail think home and family to the corpse, because i will remind you that before the events of the twentieth, i communicated with your colleagues, who left they say: but everything is already so ordinary, they no l

considering that in the forties , while under occupation , these church flags were hanging at the kupala theaterloved again among our own people, so i think this page will be turned over, we will hope that it will be turned over, but everything will remain there, bad? let's also talk about the constellation under which you were born, it's libra, right? i call it terribleness, because it’s a constant swing like this, so i ask, did you regret or didn’t regret anything? no, no, no, no, there are, ah, there are things that i accept here now, right there, so i don’t regret, but there are, of course, which i can hesitate, that’s all, well then in in the twentieth year, didn’t you hesitate? no, then then it was clear to you that what were you guided by when making the decision that i’m staying, i’ll be with the theatre, myself, my thoughts, my feelings, i need to be, i’m supposed to be here, this is art, this is theater, i am this i love everything, it’s important to me, and i will, the man dreamed of the theater, why did i ask if mikhail considers him a home and family, a corpse, because i’ll remind y

the national theater award presented the kupala classical drama stage poster for most of its performancespublican competition. look, here is 30. pastanovki hell 20 theaters of the country and all tomorrow charga magilova minsk estaetas are building here will be the magil of the lion we will begin to gather to the light to the light the head-bowl was and ideas to decorate the cab everyday life in a new way, who are we and where are we going now ? our theater on new dances, this meeting is great for the corpse, for the corpse, of course, for the living exhibitions, for the living performances, for us it is important to look at and feel how the people of mensk will suppress our exhibition on kupala sky scene, darechy, geta for us not our first visit to the kupala theater, we have already visited these theaters, and we are meeting for i'm freaking out... and the good lords are messing with us there. performances that made it onto the shortlist of the prize right from the source of the belarusian classics, the memory of the 18th leaf fall. and ў these hvilіny all avatsyі kupalaўskaga people's

’s father in latvia and devoted herself to art in minsk , on the iconic dramatic stage of the kupala theatersons, the people’s artist’s portfolio includes dozens of theater and film roles, from classic heroines to poignant characters, i have it in my metric. five german, one, when we were taken as refugees, the second is shtalak 340, this is abrano in latvia, there is all this, with with such seals, of course, i did not have the right , uh, to study either in st. petersburg or in moscow, because it was such a time, and i came here. it was fantastic, why, because the institute was located in the opera house, and i immediately immersed myself in ballet, opera, the president congratulated the people's artist of belarus on her birthday. this is a panorama of a live broadcast about the main events of friday, november 3rd, i will tell you, sergey lugovsky.

she has been performing on the iconic dramatic stage of the kupala theater for 63 seasons now. i have two german seals in my registration certificate, one from when we were taken to the refugees, the second is stala 340, this is in abranaia’s latvia, all this is there, with such seals, of course, i did not have the right, uh, to study in st. petersburg, neither in moscow, because it was such a time. and i came here, it was fantastic, why, because the institute was located in the opera house, and i immediately immersed myself in ballet, opera, the president congratulated the people's artist of belarus on her birthday. we follow the sporting life of our country. egor gerasimov reached the second round of the tournament in chinese shenzhen with a prize fund of almost $100,000. it’s clear that we didn’t prepare like that, yes, to win 10 matches in a row there at once. cooperation with the russian fencing team allows us to significantly progress for our athletes. we review the most interesting event. a doubles tennis tournament was held in the capital. parents at the competition act

all this is directed by the kupala theater daniil filippovich.what premieres await the audience this fall, what performance is being staged at the presidential grand. and why filippovich’s production is not included in the national theater award. the director answered these questions in the program. at some point i so - very carelessly said that i don’t want to be an artistic director, a chief director, i want to be in a repertory theater, well, that’s all, that means these are some stages of my life, i don’t i say that i always mean i have some kind of law , which means no, i never will, now i understand that, of course, the director needs his own theater, his own theater of understanding, no matter state or non-state, where you build the artistic, artistic structure of this theater. i want to be in a repertory theater, well, this is the full version of the interview with daniil filippovich, watch on the belarus one youtube channel in the project’s telegram. 70 years of the minsk suvorov school; the creation of similar educational institutions w

dmitry orlov, already known from named after the young and talented boris lutsenko, the kupala theaterlic, recognizable in the ussr. cultural figures, how they helped, and the performances were appropriate, songs were played, and concerts. and it’s very good, they say there: censorship, censorship, no, censorship, maybe the word is so iron, metallic, it is not euphonious. but it was the right selection, competent, fine art, folk art. this other belarusian renaissance in our literature and aesthetics and history in this hour , the development of national prose, national poetry, dramaturgy, journalism, our philology, literature of science began at a rapid pace. many of whom are front-line soldiers, whose works are still proud today, have stood the test of time. galina prose saw the vigilance of our famous writer, the brilliant master of words ivan pyatrovich shamyakin, the most outstanding apovests appeared, a cycle of raman. to other distinguished masters, words, writers, and dandies, we are of course vasil. iago prose supernumerary realistic and prudent apovests. all citizens of the sa

excellent theater student zinaida zubkova and us. in the cult troupe of kupala in belarus, but throughout the union, she entered according to the school tradition, on september 1, 1960, she went to study with the venerable old men of the discoverer, the legendary first troupe, now the people’s artist herself has been serving the theater for 63 seasons and with her she helps the young new composition of kupalovsky with instructions, did not exchange high art for a cheap enterprise. 2020 remained in her native kupalovsky, despite the aggressive campaigning to leave her former partners in the workshop, this is truly a personal drama, because behind the scenes they lived together for decades, raising children. zinochka petrovna was in shock, but we were all in shock, we all didn’t know, we didn’t understand at all how to live. for her this is a tragedy, she stayed, she didn’t leave her, this is a different theater, we have to come to terms with it, it’s now young. completely, there are very few of us old people here. at 85, dinaida zubkova, with a young repertoire,

you brilliantly realized your talent on the legendary stage of the national academic theater named after yanka kupala invaluable contribution to the development of belarusian art. all your creativity is filled with love for your homeland, harmony and beauty. his distinguishing feature was his loyalty to the best. patriotic theater school, i am sure that in the future you will work in the same fruitful and inspired manner, instilling in the audience respect for the fatherland,” noted alexander lukashenko. she was born near leningrad in the family of a military sailor, grew up without a hero’s father in latvia, and devoted herself to minsk in art. she has been appearing on the cult dramatic stage for 63 seasons now. for the sake of her dream, she even learned the belarusian language, on which the repertoire of the national academic theater is still built today, and learned in practice from the best performers of the first bddt1, many, now they even note the external resemblance of zinaida zubkova to stefania. the people 's artist's portfolio includes dozens of theater and film roles, from classic heroi

kupala ўpershynyu sustrelіsya. and the end of the albuz smolnya and swallows - this is not just a month, but there lived this very vyalikaga pisnyara. when you’re here, you’ll be hanging out at the theaterwheel will come to life and you’ll become one of the heroes, only as you will read a new land, knowing what and who menavita nathnyasya yakub kolas. may the population of the akinchytska chamber, dze naradzіўya vyalіki paet, the interior of the akіnchytska chamber is adnified on ўspamіna carnivores zhykharov and relatives of the song. the interior of the house consists of three parts, a porch, a closet and a shrine. do you know, nadzeika, what is the holy day? no, that’s how the house was, as if the first remembrances of the sun fell on the windows, all the words, the words light, the sanctuary, the house itself, although it was known, and all the words are the same. most of the river was given to the museum by i kubakolasa, so here you can fuck a lot of fun , geta leg jumper, and geta here is geta for the smoky bots, and geta is all like that, yes, the little dog is what people call it, you know , like a lily wife , i guess zha ludzi, kalya is a kind woman, so she bots herself from th