character played by kuravlyov actually.in common with the real prototype, because he was not one-eyed, but rather an eye patch on his department. and leonov and this unforgettable ship appeared, which was not seen in more than one film. let's see this snippet. eisman had been dealing with stirlitz's affairs for several days; he turned over a pile of documents, but could not understand why stirlitz came under suspicion under the cap, as they said? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear some kind of cinematic, actually, a device, because we have to see the actions of the movie on the screen and a few years before the releases of not spring there was an example of a similar film. stylistic roma where, with his behind-the-scenes voice, the pace of retonation, which, in general, reminds us of capillian or vice versa, capillian resembles intonation. roma v

character played by kuravlyov actually.ommon with the real prototype, because he was not a one-eyed, but an eye patch for his department, and this unforgettable one appeared, which was never seen in another film. let's see this snippet. eisman had been dealing with stirlitz's affairs for several days; he turned over a pile of documents, but could not to understand why stirlitz fell under suspicion under the cap, how did they say? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. after all, this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in a completely non-cinematical way, actually, a technique, because we must see the actions of the cinema on the screen and a few years before the release of the spring itself, there was always an example of a similar the film is stylistic, it looks like it is a film of ordinary fascism mikhail ilyich roma where, with his behind-the-scenes voice , tempo, rhyme, which in gener

actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice.s is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in some kind of completely non-cinematical, actually, technique, because we have to see the actions of the movie on the screen and a few years before the release, i myself always spring was an example of a similar stylistic film, it seems that this is a film of ordinary fascism by mikhail ilyich roma where , with his behind-the-scenes voice, the pace of retonation, which, in general, reminds us of kapillyanov's or vice versa. kalyanovskaya resembles intonation. roma voices to us the thoughts and way of thinking of those people who would be shown on the screen. and of course, how not to remember the radio operator kat, who at the same time, of course, is the heroine of numerous jokes. yes , and some hello to sergei einstein, because the baby is then another baby. yes how else to make the viewer empathize? let's add a baby to him. eh, and yet. this scene, when they are blac

why is this interesting, because our main hero leonid kuravlyov uh, but they didn’t seem to converge,rylines together, and leoni, kuravlyov by this time was filming from the end, the fifties, by the mid -sixties he was really a famous actor in the main role, but he had such a role. eh, a little weird. he’s not a victorious hero, just like me, like in moscow, mikhail is a lover , not a flaming communist, like urban ones , for example, yes, that is, i don’t see such a heroic trail behind him. well , rather such a simpleton, rather such a the guy, as a matter of fact, such a guy lives in the film of his one of such main roles and signs of the roles that created uh, and strengthened his authority, his ampoule on the screen of the film. eh, shukshina, in general, glorified the ship already throughout the country. by that time, he was quite such an all-union star and inna churikova, despite the fact that she played the main role in the fire in the fire brood, she is not. well, somehow this film was not very successful with the audience, and when a couple of years later gabrilovich brought a

why is this interesting, because our main character leonid kuravlyov also played in this film, uh, butdidn’t seem to converge, they didn’t bring their storylines together, and by this time leonid kuravlev has been filming since the late fifties, he is already a well-known actor in the main role in the mid-sixties, but he has such a role. eh, a little weird. he’s not a victorious hero, how am i, like in moscow, mikhail, a lover, not a flaming communist, like urban ones, for example, yes, that is, such a heroic train, he doesn’t appear and his roles don’t appear, well, rather such a simpleton, rather such a guy of his own, as a matter of fact, such a guy lives in the film, his one of such main roles and signs of roles, who created, a and strengthened his credibility his ampoule, she screen film. eh, shukshina, in general, glorified the ship already throughout the country. by that time, he was quite the allied star and inna churikova , despite the fact that she played the main role in fire in the fire brood, she is not. well, somehow this film was not very successful with the audience, an

yes, there is a biography of kuravlyov, very detailed, where a separate chapter is simply devoted tohis whole story about how hard it was for him on the set of the beginning. i wanted us to watch a piece where the director, played by yuri kletkov, is treating pasha strictly on the set. no, they don't interfere. calm down which is more disturbing left or right? why doesn't the hand interfere with me? no, i understand everything. i understood everything, now i will do everything. right. i remember that this second director plays, the real second director, as far as the characters named lonely play the second link of the mosfilm, in fact, who worked on this tape. yes, the linfin of the film is here, we talked about the fact that there is more than one film in this picture. yes, not only the love story and pasha stroganova, not only comedies about the peculiarities of filmmaking, but also the third film of this story of jeanne darke, a medieval japanese, yes , a heroic story that seems to have its own laws. and this, of course, led to some bewilderment, in general. that's when in there i

yes , there is a biography of kuravlyov, very detailed, where a separate chapter is simply devoted toe story about how hard it was for him on the set of the beginning. i wanted us to look at a piece, an idea, just the director played by yuri klyov treats yours strictly on the set. no, they don't interfere. calm down why doesn't the hand bother me? no, i understand everything. i understood everything. now i will do everything. right. i remember that this second director is playing, the real second director, as far as characters named lonely play the second is his mosfilm, in fact, who worked on this tape. yes, the linfin of the film is here, we talked about the fact that there is more than one film in this picture. yes, not only the story of your love, but stroganova is not only a comedy about the peculiarities of filmmaking, but also the third film. this story of jeanne dark is a medieval japos, yes, a heroic story, which, as it were, has its own laws. and this, of course, led to some bewilderment, in general. that's when so much is mixed in one film. it's always confusing and audienc

cavalry hello, but instead of himself he offered kuravlyov. he says that you are telling me, kuravleva. i know whom to take kuravlev or you. well, i think, okay, i took a chance, well right, vasil makar is still a special person in our culture. this special person is correct, of course, it was not, and is unlikely to be, as an obedience to mother olga, she also attends social events, more often charity poetry evenings. and even screenings to watch some good movie. i like the young director nikolai lebedev. i'm a mother, i'm not an actress, that's all, but i, as a person, can look and rejoice and be surprised, and this or that talent, and most importantly, you know, so that there would be stupidity smaller, so that all this is deeper, so that it is about a person, and not like this surface. what do you think, what do we all lack now? love to each other children wife to sister to passers-by love, this is a big deficit is a simple very simple feeling, but it is very important it makes a person a person. what kind of people are such stories i serg

he says that you are telling me from kuravlyov. i know who to take kuravlev or you?that's right.