okay, well, liskov is probably best known for the story lady macbeth of the tsensk district, oh, this really happened about a rich housewife who had an affair with her employee, they together killed the whole family on the way to prison, to the camp, cheating on her this lover, with whom so many crimes were committed, she throws herself into the water and drowns her rival, that is, such a cool russian female character is described. with a scream , and don’t let anyone get you, don’t let anyone get you, that scream, that’s it actually from lady magbi of misa district, liskov is also famous for his story lefty, based on the anecdote that the british forged and steel a flea, our tula craftsmen forged this flea and sent it back to them, well, in general, liskov is rather known for its small form, legends, tales, here some kind of documentary, what was his relationship with genres in general, what was his relationship with literary genres? everything is not so simple here, but i think he had serious problems with his large form, because he, well, even if we look at him so pretty a scandalo

principle, quite sophocola schelov repeats, whatever you want, shakespeare, in fact yes, since lady macbethev’s story. hamlet of the schigrovsky district , that is, here the story was written a little earlier and was famous, and here again he plays in reflected light, which was the nature of schigrov, but his story becomes more famous than of course, they have already forgotten here, they have forgotten here, no one remembers the hamlet of shchegrovsky district, and he just it was a literary game with a name, but for him it was more accurate, and so, if you go to some, i don’t know, film adaptations or visual staging of his works, then this can only be with a high degree of convention, say, plasticine. it’s not exactly a folk language, people don’t speak like that, but it was extremely important to him, in some essay from paris he very proudly wrote that i didn’t study the russian language from conversations with st. petersburg merchants. by the way, yes, i paid attention to this, because there is a whole genre of conversation with a taxi driver, yes, it still exists, and existed then, i kn

such a sin was introduced for him, okay, well, liskov is best known , probably, for the story lady macbeth

of psychological portraiture, something that directors rely on. to make an ancient tragedy, and lady macbethphocal, repeats, whatever you want, shakespeare, shakespeare, in fact, yes, research magbeth, although he did not come up with this name, it was an allusion to turgenev’s story, hamlet of the schigrovsky district, that is, here the story was written a little earlier and was famous, and here again he plays in reflected light, which was the nature of liskov, but his story becomes more famous than of course, he has already been forgotten, here they forgot, no one remembers the hameltagrs. the performer of the roles above his head , this is he who will hold katerina izmailova, and here her husband, he will commit their murder, it will be done with the required degree of organicity corresponding to the text, when in the cinema the actress psychologically prepares for these murders, loses, here natalya andreichenko played for roman balayan, but why does liskov have such an image, at the same time as a soil populist, right? he is, in fact, the author of the postmodern method, the populist’s t

i think we were keen that myself, sam gordon, food director, and plays lady macbeth, we wanted it tople sitting in a comfy red chair?— it there rather than people sitting in a comfy red chair? i have always loved myself _ in a comfy red chair? i have always loved myself going _ in a comfy red chair? i have always loved myself going as _ in a comfy red chair? i have always loved myself going as an _ in a comfy red chair? i have always loved myself going as an audience| loved myself going as an audience member to site—specific theatre. it's a bit of an adventure, you go a different way to a place you don't know and already you are apprehensive and anticipating something different. i think audiences get in their car, they go somewhere they don't know, warehouse they don't know and the way we have done it with the semi—immersive entrance where you pass a blasted landscape, a war—torn landscape with a burning car and tyres and rubble from buildings, already that gives them a flavour of the atmosphere we are trying to create.— are trying to create. trying to put eo - le are trying to creat