version present and future, just like bystrov’s rustic foolishness and some bossy stupefaction from lagashkine when people’s artists, people’s not by rank, but in fact, still haven’t been given the title yet, when they are allowed to really play the fool, after all, there is a great guslar here, we always have so, when khochenkova reduces her husband to pocket size and takes him to a symphony concert instead of fishing, and he sits there on the back an evil looking chair in the jacket of a familiar gnome, it seems that this is exactly what kir balychev would have wanted to do in his time, but somehow got bogged down in his fixation on his daughter and miracles. the musical accompaniment deserves special compliments, just like the selector in his time. to the music, to the series, but wait a minute. the great guslyar, of course, is an eternal city, a stable city, nothing has changed there for decades, but the music was specially selected from audio hits, audio classics of the late seventies, which, with their retrofuturistic fervor, are very corresponds to the city of velikiy guslyar. this is