, lapshin, isn’t that the one in the news?t’s not you, no, what are you, what are you, well, but now i have the opportunity to return the money, how? koptelov has been sitting in sochi for a month, he knows about lopshin’s murder, i probably want you to go there and convey my proposal to him, that’s it, that’s it, torture anyone , there’s no need to blame him, it’s a joke, just a proposal to pass on, yes, but so what? can you pass this proposal on to me, or to one of your people? ask why exactly me, you, the acting one? employee, from your lips, it will sound more convincing, i think you will find the right words, excuse me, i need to answer, but he’s not serious , calm down, everything will be fine, hello lina, hello balabin, can you imagine, i was just about to call you, well, yes, yes, of course, yes no, really, balabin, don’t start , i’m missing you when i’m calling, sasha, you’re not a stranger to me, you’re the father of my children, and the years of our lives, you just can’t throw them away, in in general, i want, i don

zakharov, he himself named only two of such daredevils, screenwriter grigory gorin and his wife nina lapshinbe the fact that we are actors is somehow for him, what grisha said was necessary for him, and i think that he something remodeled, reconstructed, obviously he had two: such assistants, such principled ones, like grisha gorin and his wife, nina timofeevna. she spoke very impartially about some performances, there was a star and the death of haykin murieta, she called it nonsense in the plural, so it somehow seemed to offend me at first, then somehow mark zakharov and i and his wife lived together for 58 years, they met at gitis, where the director's future wife was studying at the acting department. nina edited an issue of the institute's wall newspaper, and mark did caricatures. somehow, nina, accustomed to male attention, approached mark with a request to draw something for the next issue. he’s here... from the outside, whether it’s women or someone when they’re pushing me and some other activity, i don’t like it, i somehow withdraw, go away, and she was editorial... that’s me drew c

, of course, i watched the most about alexei german and german ’s film, naturally, my friend ivan lapshinence, check on the roads, i adore the picture, a little more difficult for me was the picture where yura starred and played the lead role, khrustalev's car, khrustalev 's car, yes, but then, when we made the movie, it seemed to me that our film was even more complex from a point of view. for example, my wife, she adores herman’s films, because she is an artist, she, i generally believe that he shot with documentary means feature film, for this he had special operators, fedosov, with whom he worked for many years, and not without my participation, yuri viktorovich klimenko joined this team, who shot almost, well, more than half of this picture, i understood something, there was something i didn’t understand. we quarreled a lot because we had different views, well, as an actor who must experience doing something on camera, we had different ideas about how it was experienced, but was it soviet science fiction, or rather, were there soviet movies about space fantastic, yes, because even he

next 10 years mittens sew in the zone, or cooperate with the investigation, and when they killed lapshinoped like morning fog, or maybe this is my chance, to start all over again with a clean slate, maybe it will be possible to start a family, give birth to a child? tanya, you did everything right, about family, family, it’s never too late to start a family, we’re sitting, let me go around the neighbors, and you ask around, suddenly we see someone, he’s behind you, don’t turn around, he’s coming straight at us. frozen like a monument, why are you disdaimonna, you confused me with iago. stand. one here, one in the yards, you’re like, a camel laid down on me once. the feelings are exactly the same, but izoya, come on, especially after you kissed me like that, i, like a true bushman, must marry you, look, bushman, don’t scare me, i can agree, groom, call the car, damn it, i was hooked, okay. show me, show me. so tell me, pop-eyed perch, how did you manage to catch yourself, and also found such a fierce spinner somewhere , who were you going to catch, a crocodile, but i immediately felt it,

become by the author only... five full-length films, but what 20 years without war, my friend ivan lapshinrs, there were a lot of very good directors, in principle, they always tried to make every film as if they were the last to waste their lives on it. the screenings were held in a unique format; viewers did not just see alexey’s paintings. but we heard the director and screenwriter alexei german junior, who presented tapes shared his personal impressions of their creation. here we must understand that this was an artistic challenge , an attempt to speak in a new film language, and this attempt to find a new film language is no less important than the new film language that was developed by soviet directors in the twenties and thirties of the century. decided to show the latest metro film it's hard to be a god, which has been in the works for more than 14 years. one morning on ntv, i’m sergey mayorov, hello, the year is 2023, the year of the singer valeria’s 55th birthday is the second reason to ask for an interview with people's artist of russia, 20th birthday. a well-established creati