i, as a kyivan, was in larik, and then it often happens there.ell, i see so much built there, and what is the reason for all this ? but the question is not in this, not in any lavra, the question in general is the attitude to russian tools in the war, how they use it is not an isolated case. we already know that in monasteries and churches, especially in eastern ukraine, weapons were stored , grenade launchers were stored there, mercenaries hid there, there were also since the 14th year or so, they have tried to answer all these questions through the security service, but i will tell you that it is actually wartime to do this. well, it is not that it is easier, it is just more appropriate because we are without a threat much more are going now and that's why i can note that today the security service of ukraine acts more decisively , well, in general, the authorities. the main thing is that these approaches are kept in complexes with coordinated and accompanied by an appropriate information campaign because of the resources that the state has and

course, we brought the sailor’s silence of alexander galichevich, our performance, which was staged by larikvich tabakov as he called it e. our seagull is like a gamkhata was a seagull so for our basement theater. this is a play that was banned by this play , the theater sovremennik was supposed to open it , oleg nikolaevich efremov got up the role, which i'm doing. i played the greatest genius eugene in stackney. moreover , it was unique, there was a dress rehearsal of a woman from the ministry of culture then wept and closed this performance for 30 years, the plays were restored and you know why it is so interesting? alexander arkadyevich galich was small in sevastopol until the age of 23, and these impressions are of sailor silence, but about what he was talking about, and it was they who were born there. atmosphere and this year we will take, uh, our performance based on the play by the great and with music by vladimir dashkevich. uh, passion for bumbarash. this will be another challenge. we have absolutely me through the performance, well, in the hall in the theater it’s unbelievable th

i told it, and he wrote a female male text first and called you larik told me i want you to listen nowe it i don't know you will like it. well, they just orient me to salt, he begins to read. and i have hail of tears. i say what kind of man immediately rewrite this song for me. on the same day, ruslan gorobets both of them are gone. unfortunately, both of them already wrote music the next day. we recorded it in the studio in one day. the song appeared stunned and became such a cult hit, namely cult is magic. can't brag. well, he's nobody the only one who interrupts andrey gubin i know that andrey is perfect, well, absolutely. e, very jealous of his songs. how did you do it? tell me somehow absolutely random. i think let me write it down, my friends have a song favorite night, what a strange freedom i am, and in general, i wrote it down on the ball. just once a day passes zero. i don't know 5,000 views, sometimes you know 5,000 views. i think i already scored. i think , probably, well, the camera is not my topic, and then another week passes, look at a million, i just update like this i

course, we brought the sailor's silence of alexander galich to our performance, which was staged by larikabakov, as he called it. our seagull for the moscow art theater was a seagull for our basement theater. this is a play that was banned by this play , the sovremennik theater was supposed to open and oleg nikolaevich efremov staged the role that i play. i played the greatest ingenious eugene unique. there was a dress rehearsal of a woman from the ministry of culture then sobbed and closed this performance for 30 years the plays have been restored and you know why it is so interesting? alexander arkadievich galich was small in sevastopol until the age of 23, and these impressions are of sailor silence, but about what he was talking about, uh, they were born there. this atmosphere is there and this year we will take it. uh, our performance is based on the play by the great and with the music of vladimir dashkevich, a passion for bombarash. it will once again challenge us through the performance incredible. well, in the hall in the theater it is unbelievable what will happen in the open ai