, if you are claiming you are using artificial intelligence to bring laurence olivier to the screenecause the performance is in the soul of the individual, notjust in the digital likeness. tom hanks recently discussed the idea that he could be performing well after the point that he retired, and i would argue that not really the case, because you can't have a deep fake performing... a deep fake isjust have a deep fake performing... a deep fake is just a series of still images essentially and you don't get performances out of still images, you get them out of people, and people can't be replaced. fascinating. great to have you on the programme, thanks for coming on. thank you very much. the ex—manchester city footballer benjamin mendy has been found not guilty at chester crown court of one count of rape and one of attempted rape. in january, mendy was found not guilty of six counts of rape and one count of sexual assault. just repeat this news, just in in the last hour or so, this is the ex manchester city footballer benjamin mendy who has been cleared of raping a young woman and try

i'd never heard of either the phrase �*ages of man�* orjohn gielgud, and the other was laurence olivierusic by sir william walton, and i asked our head of english if i could borrow them. i liked the bright, shiny nature of them. i think i half heard in some distant part of my memory this name, "olivier". anyway, i took them home and i was bowled over. already aware of sort of two extremes. in the 0livier excerpts which were from the soundtracks of the films, things like his account of hamlet�*s to be or not to be soliloquy which, in his brilliant film, has him atop a rocky outcrop, looking down onto the wild sea crashing against the rocks while he contemplate suicide. while he contemplates suicide. so he begins to be or not to be and goes through it, and william walton's music is soaring, shouting and trilling and supporting and the sound effects of the water and the wind and the waves. i mean, it's shakespeare plus a lot of bells and whistles in addition to 0livier�*s beautiful voice. olivier: to be. or not to be. john gielgud by contrast, the ages of man being an account of his recita

. >> i mean, he's no laurence olivier. at best. what's wrong with people speaking differently? i mean, i from nottingham and mean, i come from nottingham and i lose my accent. i don't want to lose my accent. why should out why should we churn out identikit kids who speak the same ? surely regional same way? surely regional dialects are one of the beautiful parts of being british? >> yeah. i think you've got a very good point there . and we very good point there. and we want to keep dialect and i've lost mine. actually, i'm actually a brummie, though. i could revert to brummie, i suppose bit snobbish suppose we are a bit snobbish about this and to some extent i suppose. starmer has said so that, know, we shouldn't that, you know, we shouldn't really judge people from how they accent is there they sound their accent is there is truth in but you is some truth in that. but you know, you can write or you can speak dialect or an accent speak in a dialect or an accent and make good sense. and still make good sense. i think childr