“hello, where can i find madame lavrovskaya, i’m faina feldman, her new actress, irina lvovna will bemediately remove this crap from the entrance, lavrovskaya asked to do something. so that people don’t come here, you bastard, she asked you to put a lock on the entrance to tver.

where the corpses of madame lavrovskaya live, and this is here, kerch or prozori, grigory, come down immediately, immediately remove this crap from the entrance, lavrovskaya asked you to do something so that people don’t hang around here, you bastard, she asked you to put a lock on the entrance tver, and also a slacker, a drunkard, a wrecker, who among us is not a slacker or a drunkard? “we are a serious creative team, i’ll bring you the key to your room, thank you, oh, be careful, of course, and my mother, beauty, yes, it’s beautiful, you’re playing with fire again, i really admire how the flaps burn, spirit captivating. grigory. i'm irina lavrovskaya. feldman is temporary. i'm thinking of taking a stage name. to your health. usually ballerinas are all retired by the age of 40. and katka, he is still being ostracized. dancing with great success. would you like it right now? knock down on the stage, with pleasure, you know, i just fell in love with the theater at first sight, the magnificent, amazing architecture, the second, the path. thank you, i haven’t played like this before, th

where can i find madame lavrovskaya? i, vaina feldman, are her new actress.from moscow, and you are a hero and a lover, and also a slacker, a drunkard wrecker, who among us is not a slacker or a drunkard, we... are a serious creative team, i’ll bring you the key to your room, thank you, oh, be careful, of course, the same thing she said, i was completely careless, and so was my mother, beauty, yes, beautiful, you’re playing with fire again, admiring how the flakes burn, it’s breathtaking , grigory! with pleasure, you know, i just fell in love with the theater at first sight, magnificent, amazing architecture, second. track, i haven’t played like this yet. the radiance of my soul, kiss me, then, even if it’s captivity, even death, okay, write so that the twist rises, come on, you have something to rise with, you’re not afraid that the moscow artist will see your grishka, with me, it’s a jewish scarecrow, well... i didn’t scare you with connections, you saw the photos with kachalov, with vertinsky, great, great, great, take the scarf, throw it around his neck,

named after meirhold the premiere performance "an ideal husband", directed by ekaterina granitova lavrovskayaed by vyacheslav dolgachev. production designer margarita demyanova. both female and male roles, as was customary in the english theater 17. igor morozov, maria boyankina, performs the main role in borodin’s opera prince igor on the stage of the bashkir opera and ballet theater as part of the shlyapinsky evenings festival in ufa. at the krasnoyarsk opera and ballet theater, the names of hvorostovsky are given to the opera by christoph velebald gluck, harfes and eurydice in the premiere productions by irina lychagina. everyone who studied at a music school remembers the operatic reform of the glitch, this is precisely the operatic reform, it has already begun to be reflected in this opera. this is a very dynamic, passionate essay about fidelity. about betrayal, about human capabilities, about the fact that trouble awaits a person where he does not expect it, that a scandal can arise absolutely out of nowhere, since our artists are very young, we tried to reflect all this in this opera a