there was a readiness for it and silence, not fear. we are talking about my older friends, here is ldiginsburgfeel about those who have left now? i will say one thing: writing poetry in a foreign country is difficult, very difficult. uh, joseph complained to me in recent years there in ninety -four, ninety-five that they don’t write poetry, but we know georgy ivanov, a very... good poet from the old days, but he still belongs to that emigration, he had a hard time, poems were written with with difficulty, khadasievich, who left, gave up writing poetry, but such a wonderful pavet, well, whoever’s fate will be like this, i can only say about myself, now they say that our time has given birth to a new... wave of new young writers, poets, do you see this wave? you know, yes, it seems to me that somehow less poetry is being written , but maybe this is a mistaken opinion, and then this is an uneven process, in the times of tyuchy and feto it was believed that there was no poetry, that there was pushkin and lermontov, but... it is finished, nikrasov is the only one left, but we know that this is not

there was a readiness for it and silence, not fear, we are talking about my older friends, here is ldiginsburgrkovsky, maksimov and so on, so i feel bliss. finished, only nekrasov is left, and we know that this is not so, and tyuchev is wonderful, we read the ifet, inokintiansky, a wonderful poet, and so on, so maybe it seems to us, it is quite possible, that in some trash, a young man is now writing wonderful poetry, how do we know, i am sure that there are such people, russia needs poetry, i will read a comic poem, small, the one who doesn’t dance dances, davlatov loved him, the one who doesn’t dance dances, taps a glass with a knife, the one who doesn’t proudly dances, shouts from the podium, who really dances and... so we heard about attempts to cancel russian culture. how do you feel about these attempts? is it possible to cancel russian culture? no, of course, how will you cancel it, excuse me, will you hide cheikovsky, or remove shestakovovich, or the artists sterov, where will you put coroilin, and how is that possible, in rubil, but no, of course, but tolstoy. and chekhov, what are yo

a readiness for it and silence, and not... fear we are talking about my older friends, here is ldiginsburgt now? i will say one thing: writing poetry in a foreign country is difficult, very difficult. yosikh complained to me in recent years there in ninety -four, ninety-five that they don’t write poetry, but we know georgy ivanov, a very good poet from the old days, but he still relates to that emigration, it was hard for him, poems were written with difficulty, khadasievich left and stopped writing poetry, but such a wonderful poet, well... uh, who, what fate will turn out, well, i can only say about myself, now they say that our time has given birth to a new wave new young writers, poets, you see this wave, you know, yes, it seems to me that somehow less poetry is being written, but maybe this is a wrong opinion, and then it is uneven. process: in the times of tyuchy and feto it was believed that there was no poetry, that it was finished with pushkin and lermontov, it remained nikrasov alone, that’s all, and we know that this is not so, and tyuchik is beautiful, and we read feto, and in