clearly reveals, demonstrates the scale of the director, and most often not a very great scale, and lem klimov on the production of the master of margarita, and yuri lyubimov, who did it on the taganka, and yuri kara, now lakshin feels like a fish in water when staging all sorts of adventures of evil spirits, but frankly. they stall when talking about the eternal, about galilee and judea, about the eternal dispute between yeshua and pilate. the only person who even tried to do something about this direction, was bordka, in his film the completely frank rhetorical duel of sergei bezrukiy in the role of yeshua, kirill lavrov in the role of pilate, actually balanced the adventures of the evil spirits. which, in fact, was bulgakov’s plan, the plan of all these excursions into distant jewish times. lakshin’s appointment of completely passable foreign performers, klaus bang and aaron the water carrier, to the roles of pilate and yeshua, first of all, spoke precisely of how uninteresting he is in these things, how much more pleasant it is for him to show how evil spirits are set in the city of moscow

clearly reveals, demonstrates the scale of the director, and most often not a very great scale, and lem klimovernal dispute between yeshua and pilate. the only person who even tried to do something in this direction was bordka, in his film there is a completely frank rhetorical duel, sergei bezrukov in the role of yeshua, kirill lavov in the role of pilate, in fact. it was like an adventure of evil spirits, which, in fact , was bulgakov’s plan, the plan of all these excursions into distant jewish times. lagshin's appointment to the roles of pilate and yeshua of completely passable foreign performers klaus bang and aaron vodovoz, firstly in turn, he spoke precisely about how much these things are not interesting to him, how much more pleasant it is for him to show how... all the claims against socialism that he had accumulated, this and punitive psychiatry with electroconvulsive therapy, which bugakov did not have in his possession, this and security officers. of course, was also anti-soviet, like the work of our other nobelists, neither andrei platonovich platonov, nor isaac amanylovich babel,

i can watch it from start to finish fragmentary, this is lem lem germanovich klimov, go watch, this ishen this film was shown abroad, by the way, some comrades of the same germans, british you... that’s just what the story was, he tells that when he calls his mother, he says: mom, don’t worry, i ’m alive, that’s the word, i’m alive, she fell somewhere inside, i walked with him for a long time, in the end this song was born, which we dedicated to victory, then a music video appeared, which our viewers will see today, it too quite complex, quite heavy, literally leads the viewer along the brink of life and death for three minutes, 3.5 minutes, tell us this idea, how you came up with it, do you know? i was lucky, we met the guys from the stalin line, the shuravi reenactors club and the soldiers of victory, we shot a video on the theme of the afghan war right in paradise, with them, this was our first work, the first experience when i voiced the idea of ​​​​shooting a video in the great stink , of course, everyone responded, the video was truly popular, because they took part in it very di