we talk about russia lemaitre is working on their own pieces which may be not targeted directly to bring commercial success so you know let's believe the more freedom is there is that what you try well that's always the you know necessity is mother of invention so yeah when you. i have a lot of limitations you really have to be extremely in with inventive so that really pushes you to words more and more creativity you said you said if he petroff had to do an episode every week yes are you envious to people that who don't have to do an episode every week would you prefer to work this way rather than doing commercially successful. i i had a chance to compare working on the mass production. in imation and on like really individual. festival oriented this is a by. from creative standpoint it's much more interesting and. there are really no boundaries for creativity on the project the problem is that they happen like once every five years. they last for six months they do not pay much. well you know if a project like igor's was happening every other month i would be ecstatic about that but it

four year history the world press photo contest was mostly about revolutions violent uprisings and lemaitre disasters but there are always images ones i can reach the pawn next to the brutal pictures which make most of the daily news images of beauty and tranquillity of nature look exceptionally fridge. so you don't consider yourself to be a journalist or a campaigner whatever your age or you're just a photographer for me i feel as a photographer. can move through in the documentary world the magazine world. i feel that you know my work isn't totally journalistic in a way after i also bring something of myself into the world but when i work with photographers here in television our i always try to tell them you're not just taken your journal your reporters to you do your journalistic work i do it with a pen and you do it with a camera so with you it's different so for me when i later and i share i wasn't thinking how to satisfy a time magazine i was totally thinking of the creative process and working with i should. to create that photograph but i wasn't thinking harm i'm going to tell ok w