artist, really very talented, she led for a long time, was the artistic director of the leningrad art glass factoryof course, under her signature, that's the advice, a lot of things went into production, well, because the art director, as always, even now in the modern world, also signs everything into production or sales, so there were probably glasses, and glasses for water, for wine, and there are many stories about how she tested everything herself, even if at the village council, for example, they were making a glass for wine, she would say, let's pour some water from a decanter, let's try how convenient it is to mold from this, by the way, you can look, yes, but - specifically about a faceted glass. it seems to me that this was a kind of journalistic duck, when there was a celebration of some anniversary of the creation of the production of a faceted glass, some millions came out, so they took such a famous design object, a famous person, and how it was all combined into such a beautiful legend, this is what i think, because i have never seen documents that directly confirm veromukhina's auth

, a great artist, really very talented, she led a lot, was the artistic director of the leningrad art glass factorycultural councils, a lot of things came out into production, well, because the art director, as always, even now in the modern world also signs everything into production or into production, so they were probably there. glasses, and glasses for water, for wine, and there are many stories about how she tested everything herself, even if at the cultural council, for example, they made a glass for wine, she said, let's take a drink from the carafe, let's pour some water, let's try how it’s convenient to sculpt from this, by the way, you can see, yes, but specifically about the cut glass, it seems to me that it was it’s like a journalistic canard, when there was a celebration of some anniversary of the creation of the production of cut glass, there were some millions, that’s why. when he had such a difficult financial situation, he worked as a janitor, this is not true, he did not work as a janitor, but the legend is beautiful, why deny it, i have a dream to erect a monument to platonov in

leningrad she had two such very serious positions, this is the artistic director of the leningrad art glass factory yes, this is her work and she was on the artistic council of the leningrad farkhorov factory, she is also interested in these works of hers, which she did at krasnolfz, because she chose clothes for her very carefully sculptures. and when there were reliefs and volumetric sculptures, she looked at how they would be exactly, so that it would be, firstly, logical, yes for the character, secondly, so that it would be harmonious with the character itself, so that she thought that the clothes would complement, complement the image, she researched a lot, that is, all her works, they were based on pre-project research, for example, before ... she made glass, she studied the archives of the russian museum, everything that was connected with glass and the hermitage, that is, in fact, here now in the modern world designers work exactly like this, before making some project, well any project, not only a designer, an architect, yes, all the people involved in design, who are engaged in this activ

from mukhina’s life, we don’t know who, it’s widely unknown, so , for example, the same art glass factory in leningradhe forties... there was no such factory, she suggested making an experimental workshop, on the basis of a mirror factory, just a glass factory, that is, no one talked about art glass there, but here it is, yes, yes, and in fact, after that, of course, during the great patriotic war the work of this art department was interrupted , but already from 1945 work was in full swing and new craftsmen were being trained, and what was very interesting was that... that not only, for example, she made a project and then sent it to production, she stood at the forge and watched how everything was cast, she always communicated with technologists and, together with them, found an adequate solution and forms, among other things, because it was important, yes, how to go together with the technology and the material, that is, as if she was constantly searching, and there was no final solution, that this is good, and this is bad, she was always looking for, this mobility, it is also, in principle, very..

from mukhina’s life, we don’t know, as if it were widely unknown, for example, the same art glass factory in leningradhe essentially managed, yes, as artistic director, but she was also the initiator of its creation, when back in the forties there was no such plant, she suggested making an experimental workshop on the basis of a mirror plant, just a glass plant, that is, no one talked about artistic glass there, and then she, yes, yes, and in fact, after that, of course, during the war, and the great patriotic war , the work of this art department was interrupted, but already from 1945 the work was in full swing and new masters were trained, and what was very interesting was that not only, for example, she made a project, and then gave it to production, she stood there watching, as everything is cast, she always communicated with technologists and... together with them she found adequate solutions and forms, including, because it was important, yes, how to go together with technology with the material, that is, as if she was always searching, and there was no final decision that this is good and this