and at the leningrad conservatory they are also taking a postgraduate courseh dmitry dmitrievich shostakovich, and he appreciated the works of luchinka. he told you not to engage in teaching activities. you are a composer. igor remembered this later, he was still ready for creativity, ready to compose new songs. let's talk about how to be open to the world, no matter what i'm always ready to pick up. i always say we can we will we want because i'm so fired up, really talented ideas, the main goal, uh, that we are pursuing, if our citizen has an idea the ability of the market here is the market. faces what theater is, after all, energy exchange, and why it is always greater, because people come, spectators come, and we give energy. you give us back , we have a cycle going on, and something happens we begin to think, breathe, live differently. uh, the sooner we teach our children to do good deeds from the island. yes, they are right to mercy, and participation in helping those who need it, those, uh, a generation grows up healthier. say, do not be silent, watch

and at the leningrad conservatory they also take a postgraduate course dmitrievich shostakovich, and he appreciated the work of a splinter. he told you not to engage in teaching activities. you are a composer. igor remembered this, then he was still an intern at the chairman of the union of composers of the ussr quietly she khrennikova and returned to minsk already ready for creativity, komsomol youth this will be the name of the most, probably, rhythmic, most fighting, the most provocative song of igor luchinka komsomol youth you never knew peace. igor was very attached to the komsomol from his youth. and as he himself said, he remained a member of the komsomol from his days. he said i and now still komsomolets forward both authors of this song. i even knew the authors of the text better than the composer, because nikolai altukhov and i lived in the same house in neighboring entrances. yes, and quite often intersected in all sorts of bohemian feasts. there words i do not want comfort, there is some kind of warm bed. i want to breed at unknown hills, bon

as a word, was at the beginning of the foundation rebel dance dissident boris efman at the leningrad conservatorylmost immediately he went his own special way and appeared at 30. his new ballet. i am 77 years old. and every day i spend at least 6-7 hours in the ballet hall, composing new ballets, despite my age, despite the fact that we already have such a world-wide, glory and so on. we don't stop. we strive to create, create and do what is possible. we are called to do we are doing today such a russian psychological ballet theater, moscow in efman supported the difference from leningrad, but the concert in the kremlin palace was only once today, the second, and this is a gratitude offering to the muscovites who gave a start in life to 60 people, including the new generation among whom are the first students from the efman academy . what more do i not have, to be honest, such direct reference lines there, and but here i can hide my shortcomings and show some maximum advantages of the acting transformation. that's why i'm grateful that i got there. that's it for this director such a choreographer