symphony faculty of the leningrad conservatory. college in vladikavkaz where they did not want to accept georgiev bear his name, he is 24 years old, in these frames, georgiev is still a student at the leningrad conservatory, but already conducts at the mariinsky theatre. i would like to let these pebbles play every time, as if the address of the last note, to guess the apartment on the majorovati, i also miss one. we will be together in fact in the same apartment, too, in shock. will you cool me down, huh? i got you he feels that the music must continue to live. don't put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know it's impossible, then play the violinist. uh, if they took it out like this. play as if like you're playing without gravity . see wrong, you you take hands whatever you want. if you need to support with a bouquet of flowers, it is not difficult. as for me , orchestras as a conductor, contact does not depend on not a single stick in the world. it is impossible to coun

symphony faculty of the leningrad conservatory.ow the college in vladikavkaz where they did not want to accept georgiev bear his name, he is 24 years old, you know the staff, georgiev is still a student at the leningrad conservatory, but he is already conducting at the mariinsky theater, i would like to actually in one apartment, too, in shock, you will praise me, and i you and both. it turned out no for him. yes, my rhinestone with a remote control has a very special manner, far from classical and it’s a pity even that the conductor is standing, turning away from the audience , gergiev's facial expressions and gestures fascinate he feels that music must continue to live. don't put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know it's impossible, then play the violinist. uh, if you if it's like this and for the sake of it, it 's like, like you're playing without gravity . see not so, you, you, i can take your hands, anything, if you need a bouquet of flowers, it's not difficult betw

symphony faculty of the leningrad conservatory. college in vladikavkaz where they did not want to accept georgiev bear his name, he is 24 years old, in these frames, georgiev is still a student leningrad conservatory, but already conducts at the mariinsky theatre. i would like these little stones to play every time , as if the address of the last note, so that valery would guess, they gave me an apartment on mayorova street. and i lived in a hostel, and he somehow tells me that i already miss him. we will actually be in the same apartment, too, in shock. will you introduce me, huh? i told you about islam and celebrities and it's a pity even that the conductor is standing, turning away from the audience, gergiev's facial expressions and gestures are fascinating. he feels that music must continue to live. don't put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know it's impossible, then play the violinist. uh, if you if this is this. play as if, as if you are playing without gravity . s

symphony faculty of the leningrad conservatory.lege in vladikavkaz where they did not want to accept georgiev, they bear his name, he is 24 years old, in these shots, georgiev is still a student at the leningrad conservatory, but is already conducting at the mariinsky theater. i would like to let these little stones play every time, as if the address of the last note, so that we can have an apartment. let's make a deal, you will praise me. and i you it even turned out that the conductor is standing, turning away from the audience and gergiev's gestures fascinate. he feels that music must continue to live. don't put your hand like this, and she stopped. she continues to live she continues to flutter. so you know it's impossible, then play the violinist. uh, if you if it's like this and for the sake of it, it's like, like you're playing without gravity. see wrong, you are hands of anything, if you need to be on duty with a bouquet of flowers, it's not difficult. as for me, orchestras as a conductor, contact does not depend on not a s

beethoven in captivity, or something, his ideas of thought and well, as will in 19 he entered the leningrad conservatoryof symphony conducting. this was the first phenomenon. his biographies are usually already mature musicians in this profession, but at 20 another miracle happened. gergiev won the all-union competition for conductors. 23 already at the invitation of timerkanov. he makes his debut on the marinka stage. i would like these pebbles to play every time, as if the address of the last note, so that it would be impossible for us to count them evenly. yes, go ahead. yes, while they rolled, as if it were work 20 hours a day, gergiev took on complex works, restored forgotten performances and musicians. they believed in him at 35, he was elected the chief conductor of the theaters for the first time in the entire history of the marinka, voted by the general meeting of the corpse. it's not that it's written. that's how i would suggest it, but it's professional. i'm a select few, because something should make the orchestra feel like you have a check in front of you, which you can go for, or even bett

symphony faculty of the leningrad conservatory. college in vladikavkaz, where they did not want to accept georgiev, bears his name, he is 24 years old, in these frames, georgiev is still a student at the leningrad conservatory, but is already conducting at the mariinsky theater. i would like these little bells to play every time, as if the address of the last note. apartment on my vein, you will praise me, and i will turn you out. he doesn’t have it. yes, my sister at the podium has a very special manner, far from classical, and it’s a pity that the conductor is standing, turning away from the audience , gergiev's facial expressions and gestures fascinate, he feels that music must continue to live. don't put your hand like this, and she stopped. she continues to live. she continues to flutter. so you know it's impossible, then play the violinist. uh, if you if this is like this and it's like, like you 're playing without gravity. see. not so, you are you take hands and anything, if you need to support a bouquet of flowers, it is no

, bears his name, he is 24 years old, in these frames, georgiev is still a student at the leningrad conservatoryut is already conducting at the mariinsky theater. i would like these stones to play every time, as if the address of the last note. i even dropped my wand. now the maestro prefers a simple wooden skewer to a conductor's baton. i can take hands with anything, if you need to be on duty with a bouquet of flowers, it's not difficult between the orchestra and the conductor contacts not depend on any wand in the world. and in general, it does not depend on the tree. the master at the podium has a very special manner , far from classical, and it’s a pity even that the conductor is turning away from the public mimicry. from gergiev's mesmerizing gestures he feels that the music must continue to live. and put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know, it’s impossible then to play a violinist. eh, if you if this is this. how many dalmaster concerts to count it is impossible, many and many thousands, but a few stand apart in favor of those

gergiev gives support to young musicians, together with a classmate at the leningrad conservatory , sergei raldugin, four hands are looking for young promising performers around the country in his house of music for talented students. razdugen prepares the best for international performances ; the conductor’s school recommends them for admission to the mariinsky theater; the gergiev school believes he is a phenomenon that needs to be studied in conservatories. give it to the viewer. it's completely incomprehensible how they play. so he jumps something like that, and sometimes he has some kind of incomprehensible gestures, then his hand trembles all the time, this is some kind of three molyounds in his hand. sorcerous manner his fingers seem to weave music from the air instead of a stick, he uses a simple toothpick or wooden skewer. he says that he can also conduct a bouquet of flowers. but, if you carefully watch the performance, it becomes clear that he is conducting with his eyes. here are the instructions georgi to their young colleagues at one of the international master classes. i mad

georgiev bears his name, he is 24 years old, in these frames, georgiev is still a student at the leningrad conservatory already conducting at the mariinsky theater. i would like to let these pebbles play every time, as if the address of the last knife then then. yes, i even dropped my wand. now the maestro prefers a simple wooden skewer to a conductor's baton. i can take hands with anything, if you need to be on duty with a bouquet of flowers, it is not difficult between the orchestra and the conductor contact not to depend on a single stick in the world. and not from a tree at all. no metal is independent. the maestro at the podium has a very special manner, far from the classical one, and it's a pity that the conductor is turning away from the audience of facial expressions. from gergiev's mesmerizing gestures he feels that the music must continue to live. and like this and like this hand put, and she stopped. she continues to live, she continues to flutter. so you know, it’s impossible then to play a violinist. eh, if this is it. it is impossible to count how many concerts the dalmaster gave, many,

tashkent, the corpses of the opera and ballet theater replenished the stars of the large leningrad conservatoryhere the musicians lived. here they rehearsed tashkent became the second city after leningrad, where they performed the seventh symphony of shostakovich for the evacuated here jewish theater alexei tolstoy wrote a sketch and himself played in it in tandem with the outstanding artist solomon mikholls. they portrayed the workers of the cinema workshop, who, in chasing the actor in the costume of hitler, mistaking him for a real one, were lured, as recallers say, that they had already forgotten the main text written by tolstoy and improvised as best they could and the people were wallowing with laughter, the collected funds went to help children evacuated to uzbekistan. there were a quarter of a million of them. the commission for the arrangement of the guys included korney chukovsky and was amazed the way uzbek families with many children met their children. they took orphans to their place directly from the station, especially korney chukovsky admired the history of the shemakhmutov fam

georgiev bears his name, he is 24 years old, in these frames gergiev is still a student of the leningrad conservatoryready conducting at the mariinsky theatre. i would like these stones to play every time, as if the address of the last note, so that we drop the stick. now the maestro prefers a simple wooden skewer to a conductor's baton. i can take the hands of anything. if you need to keep a bouquet of flowers. it is not difficult, the contact between orchestras and the conductor does not depend on any one stick in the world. and not from a tree at all. no metal is independent. the maestro behind the console has a very special manner , far from the classical one, and it’s a pity that the conductor is standing, turning away from the audience, the facial expressions of gergiev's gestures are captivating. he feels that the music must continue to live. don't put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know it's impossible, then play the violinist. uh, if you if this is this. it is impossible to count how many concerts of the dalmaster, many and many

what production was carried out by the singing guitar ensemble in the opera studio at the leningrad conservatory? on this, apparently, the first soviet rock opera, or as it was then called the zones of the goper orpheus and hevrit, right, the fourth question, the action of one of the paintings of this rock opera takes place in a tavern, the mess is the star of the hacker's death, quite right there will be a mess in bulk and in installments. how is the fifth question sung in this roberto, since which of these works did she write margarita pushkina margarita pushkina i strongly suspect that this is a stadium? this is the correct answer to the sixth question in the recording of a double album with this performance in 1982 , the pop symphony orchestra of the leningrad television and radio took part. and this is probably the stadium, alas, this is the wrong answer . we are talking about the musical performance of krichinsky's wedding. well, let's sum up the first game anastasia gave six correct answers. she has 6.000 on her account yuri gave five correct answers and he has five on his account thousan

georgiev bears his name, he is 24 years old, in these shots gergiev is still a student at the leningrad conservatorys already conducting at the mariinsky theater. i would like these every time let the daggers play, as if the address of the last note, so that we drop the sticks. now the maestro prefers a simple wooden skewer to a conductor's baton. i can take hands with anything, if you need a bouquet of flowers, it's not difficult, contact between orchestras and a conductor does not depend on more than one stick in the world. and not from a tree at all. no metal does not depend the master at the podium has a very special manner, far from the classical one, and it is even a pity that the conductor is turning away from the audience, facial expressions from gestures. virgo bewitch he feels what the music must continue to live. don't put your hand like this, and she stopped. she continues to live, she continues to flutter. so you know it's impossible, then play the violinist. uh, if you take it out like this. it is impossible to count how many concerts of the dalmaester, many and many thousands, but a f

the corpses of the opera and ballet theater replenished the stars of the large leningrad conservatorythey placed garment workers in the palace of culture. this is where the musicians lived. here they rehearsed tashkent became the second after leningrad, the city where shostakovich's seventh symphony was performed for the jewish theater evacuated here, alexei tolstoy wrote a sketch and himself played in it in tandem with the outstanding artist solomon mikhoels. they depicted film workers who were chasing an actor dressed as hitler, mistaking him for a real one, and, as recallers say, that they had already forgotten the main text written by tolstoy and improvised as best they could and the people wallowed in laughter, the collected funds went to help children evacuated to uzbekistan. there were a quarter of a million the commission for the arrangement of children included korney chukovsky and was amazed at how the uzbek families with many children met the children. they took orphans to their place directly from the station, especially korney chukovsky admired the history of the shamakhm

captivity, or something, of his ideas of thought and his indomitable will at 19 he entered leningrad conservatoryng. this was the first phenomenon. his biographies are usually already mature musicians in this profession, but at 20 another miracle happened. gergiev won the all-union competition for conductors. 23 already at the invitation of timerkanov. he makes his debut on the stage of marinka. i would like these little stones to play every time, as if the address of the last knife. and what do i have there so that it would be impossible to count them exactly, right? forward, as if working 20 hours a day, climbed over complex works, restored forgotten performances and musicians believed in him . at 35, he was elected the chief conductor of the theaters for the first time in the history of the marinka, voted by the general meeting of the corpse. for the elite , because something should make the orchestra feel like there is a check in front of you, which you can go for , or even better, follow him in a whisper. his interpretations are always unpredictable, and today the whole world knows these han

and now he is already at the music school of his native vladikavkaz, then at the leningrad conservatoryt the age of 20 he wins the competition in berlin, beating 70 of the best conductors in the world, and after 3 years debuts at the kirov theater , which will very soon lead to new heights under the returned historical name of the mariinsky and this, of course, love at first sight, and for the rest of gergiev's life they will call vienna, london new york. tokyo is offering seven-figure contracts, but he will respond firmly. all of us at once, i am married to a maritime dance, the pace at which since then it seems to work like crazy more than 200 concerts a year, and each time with just a wave of his hand, the maestro can make a huge hall stop breathing. we still encourage someone leads his hand up, and someone saw his hand down. in fact, it does not have any decisive significance. in whatever hall we are in front of which orchestra of youthful children's adults, famous or not so famous, we must do everything possible so that the thoughts of the creator's feelings, conveying the republic

georgiev gives support to young musicians along with a classmate at the leningrad conservatory.promising performers in the country in in his house of music, talented students , raldugin, prepares the best for international performances; they are recommended for admission to the mariinsky theater conductor's school, georgiev's school, he considers a phenomenon that needs to be studied at the conservatory. it's completely incomprehensible how they play. so he jumps something like that, and sometimes he has some kind of incomprehensible gestures, then his hand trembles, then he always has this kind of persecution in his hand. conducting style maestro witchcraft his fingers seem to weave music from the air instead of a stick, he uses a simple toothpick or wooden skewer. he says that he can also conduct with a bouquet of flowers. but if you watch the performance carefully , it becomes clear that he is conducting with his eyes. these are the instructions gergiev gave to his young colleagues at one of the international master classes. i made the clarinet think that this solo is not usi

schwartz returned to leningrad and entered the conservatory. but they didn’t take money from this student, then it turned out and shostakovich secretly paid for his studies nobility lady luck, for whom you are kind, and for whom else schwartz is called a musical playwright a rare gift to build a melodic plot not shading, but meaningful, what is happening on the screen according to schwartz, to compose a fresh, strong , memorable melody is the greatest happiness, the rest is a matter of technology. director akira kurosawa realized that finding a composer for his new soviet japanese film was indeed a historic meeting, in general, this brilliant director kouros with our mosfilm. just really, because this is something that did not want to work in hollywood. he was very sharply opposed to this work and became the only domestic composer to receive an oscar in his hall. won the award for best foreign film. there was also music for the theater and symphonic things, but isaac schwartz considered himself primarily a film composer, a straw hat for 100 day

schwartz returned to leningrad and entered the conservatory.was only paid, but they didn’t take money from this student, then it turned out and i secretly paid for my studies shostakovich nobility lady luck, for whom you are kind, and for whom else schwartz is called a musical playwright a rare gift to build a melodic plot without shading, but meaningful, what is happening on the screen according to schwartz , to compose a fresh, strong, memorable melody, the greatest happiness, the rest is a matter of technology. or director akira kurosawa realized that he had found a composer for his new soviet japanese film; indeed, there was a historical meeting, in general, this brilliant director kuros with our mosfilm. just really, because this is something he did not want to work in hollywood. he was very sharply opposed to this work and became the only domestic composer who received the oscar of his hall. won the award for best foreign film. there was also music for the theater and symphonic things, but isaac schwartz considered himself primarily a fil

leningrad sverdlovsk in 1940 were pyramids. sprat sardines green peas condensed milk we did it all ourselves. gather ours, we need the homeland. elena sergeevna bulgakova wrote down what happened at the conservatory diaries elena sergeevna bulgakova well, yes, the same margarita from the novel the master margarita, the writer mikhailov, she still bulgakov at the entrance hung her tails up the stairs , pale dmitri shostakovich made his way through the crowd in the first part of beethoven sang dzerzhinsky at the end shostakovich after his the audience gave a standing ovation to the symphony and called out the author. he came out excited deathly pale, but we lost. as it was called the best people of russia gene pool. who then filled all these halls, well, it is clear that many of the former remained in moscow, but you remember the housing problem, and we laughed a lot about it. ah, moscow communal apartments. ah, they lived in a dump. here, before the revolution, everyone lived in their apartments, and here the communal apartments are all some kind of game, by god, moscow in the twenties. garden and lived in a felling, because there, by 70 percent , the composition of the inhabitants has changed and

college in those years , in leningrad, 1975, uh, a decision was made in the central committee of the party to open a jazz variety department in music schools and conservatories. well, because there was not yet rock captured the minds and jazz of two evils seemed to be the lesser of two evils, because cultural music is improvisation by people. still, they think they are interested in developing many directions. the horn was still more foreign music than jazz, because it was more popular than rock. rock and roll music captured the minds of the whole world, so it was decided to make jazz jazz music professional or professional ensembles. such as nikolai levanovskaya allegro lukyanov arsenal alexei kozlov e, orchestra. well arrows got status jazz. we opened the school and i appeared. he studied at the music school on the clarinet. and about a man named gennady golshtein , a wonderful saxophonist in the soviet union, about whom there are legends in leningrad and legends in moscow. and although we at that time no longer began to play the saxophone and engage in early music from the 17th-18th century. i saw him all the time. uh, i saw saxophonists at the school. un

college in those years , in leningrad, 1975, uh, a decision was made in the central committee of the party to open a jazz variety department in music schools and conservatories least of two evils, because people improvise cultural music. still they think are interested in developing many directions. the horn was still more foreign music than jazz, because it was a more popular rock musician, roll captured the minds of the whole world, so it was decided to make jazz jazz music a professional professional ensemble. such as nikolai levikov arsenal alexei kozlov e, orchestra. well arrows got jazz status. we opened the school and i appeared. he studied at the music school on the clarinet. and about a man named gennady holstein, a wonderful saxophonist in the soviet union, about whom leningrad legends in moscow legends. and although we at that time no longer began to play the saxophone and engage in early music from the 17th-18th century. i saw him all the time. uh, i saw saxophonists at the school. uncle misha from ddt then. it was mikhail chernov, oleg forged in all the head of the leningrad population. it was all people already. they were older than i was 14, a