, lenkom, what lenkom, was zakharov, around whom the arts united, with whom he treated very carefullyome did not, but these skilled, wonderful actors, when they play to the music, the eyes warm up, uh-huh, something else appears, you keep saying, they, they, but you also played in these films, what about your position as an actress really? on the set, for example, the song una helped in the dialogue about the blacksmith in the formula of love, well, of course, it was nice, especially moreover, it was invented when everything was already done... they had such a game with glodkov, he brought a newspaper there, it’s true, yeah, he put it like notes, he says, come on, sing, compose, here under this truth, that’s... they had jokes like that, but it was quite funny, and he says, i need to make one up, and glodkov says, i remembered all the words that i knew in italian, in the blink of an eye, well, i played some of them, and my father liked them so much, he says, just not nothing to me, he was so delighted, he flew off, that means the studio, showed everyone, everyone was talking, everyone

, lenkom, what lenkom, was zakharov, around whom the artists united, to whom he very carefully, tenderlyg there was music, he brought, he showed, he spoke, and you know, when an actor plays to music, a good actor who doesn’t it's like he's singing, yeah. also a servants’ song, because abdulov and semyon farada are wonderful, we definitely need a song , he says: what servants are done, come on, he says, come on, sit down, sit down, play, yes, they had such a game with glodkov, he brought a newspaper, there really, yeah, he put it like notes, peter says, come on, sing, compose, here to this the truth is, these were the jokes they had, but it was quite funny, and he says, we need to make one up, and glodkov says: i remembered all the words that i knew in italian una of the moment, well, i completely played some, and my father liked it so much, he says: just not me , nothing, just like that, he was completely delighted, he flew , which means the studio, it seemed to them, everyone is talking, everyone is laughing so much, they are so happy, his wife liked it, and he consulted his mother on e

that’s what you said, she is not associated, inna mikhailovna churikova was the main actress of the lenkomls in blue, i’m afraid i won’t name something, she played endlessly. role - it was the main actress, you know, like ostrovsky, to create a theater, you need an actress in the center, so she was the main actress of the theater, but why did she so rarely play in mark anatolvich’s films, well, apparently, her husband was against it, no, no, apparently it’s simple, well , about the formula of love, who to play there, there’s no one to play there, and there the hero for the theater must be an actress, for cinema maybe, no, necessarily, necessarily, without a woman it’s impossible, it’s very boring without a woman, and no, no, i’m talking about the fact that apparently there was simply no suitable role, but she endlessly played in her father’s plays and theater, the theater is the theater to which father dedicated his life, the repertory theater, which is very important for the culture of our country, then the repertory theater , which my father served faithfully, in general served the theat

of russia, vladimir ivanovich khotyanenko, hello, vladimir ivanovich, thank you for coming, we are lenkom, anton shagen, and we will talk about dostoevsky for a reason, this year it will be performed. years since the publication of a separate edition of the novel bes, taking advantage of this opportunity, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly, about today. vladimir ivanovich, how did dostoevsky appear in your creative destiny, because you filmed the dostoevsky series in the eleventh year, and then the demons, partly the reason for this is the architectural institute, which i graduated from at one time, because we have everything there. for everything again the tenth, this intrigued me, and this was perhaps the first seed sown, then fate turned out in such a way that i was offered to make a series about dostoevsky , and i suddenly recalled the impression, i re-read, first of all, i remembered, naturally, constantly, or rather i didn’t remember, i thought about nabokov about this internal polemic, but nabokov didn’t convince you, you see

of holes, yes, i didn’t want to film the play, although very much, it was super popular, just in lenkomtheme of violence generates violence, yeah, it was very relevant in 1987, 1965, of course, and lyosha wanted to rewrite the entire score, he wanted... to rewrite the vocals, and we started rerecording, and the first part of the chilean part, we rerecorded, yeah, yeah all the vocals of huaaquin and teresa, uh-huh, we couldn’t find the performers, and we left those that were on the record, and i had to change the idea a little, because we couldn’t record new parts with lesha, you know, uh-huh, that’s it, but however, i seem to have slightly changed the plot structure stories. yeah, well, you rewrote this like the silver bastards from the city of struyattsi waterfall, wow, the entire chilean part, the entire entire exposition before the arrival of the barsha, when they sailed away, this entire part was rewritten, so i am your freedom, i your best friend, this is left from the record, well , i filmed the monologue three times, don’t be born, my son, don’t be born, yeah, raped teresa, her m

hello, vladimir ivanovich, thank you for coming, we have a theater actor, lenkom mark zakharova, antone roman besa, taking advantage of this occasion, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly about today . vladimir ivanovich, how... in general, i became interested in nabokov’s lectures, lectures on russian literature, and nabokov is a professor, and i was surprised to read that nabokov treated fyodor mikhailovich with extreme disrespect, he considered him a c student, strictly speaking, for his language , for that, for everything, tenth, this intrigued me, and this was perhaps the first seed sown, then fate worked out in such a way that i was offered to make a series about dostoevsky, and so suddenly you... impression, i re-read, first of all, i remembered, naturally , constantly, or rather i didn’t remember, nabokov thought about this internal polemic, but nabokov didn’t convince you, you seem to now think that he is wrong, nabokov, i think that he is completely wrong, that is, he is right in his own way, that well, for this you need

that you said so , she is not associated, inna mikhailovna churikova was the main actress of the lenkom she endlessly played the main role, it was the main actress, you know, like in ostrovsky, in order... to create a theater, you need an actress in the center, so she was the main actress of the theater, but why did she so rarely play at mark anatelevich's cinema, well, apparently... he was his husband against, no, no, apparently, it’s simple, but the formula of love, who to play there, there’s no one to play there, but there’s a heroine, for the theater it’s necessary to be an actress, but for cinema, maybe not, it’s necessary, it’s necessary, without a woman it’s impossible, without a woman very boring, and no, no, i’m talking about the fact that apparently there was no suitable role, but she endlessly played in her father’s plays, and the theater, the theater is... the theater to which father dedicated his life, the repertory theater, which is very important for the culture of our country, uh, then the repertory theater, namely, which it served faithfully, my father, in general, serv

are over 200 questions from sergei mayorov. 2023 marks the 70th anniversary of the birth of this lenkomn to moviegoers from the films kill the dragon, the sorcerer, and of course, an ordinary miracle, where he played a bear, what is his name? abdulov, alexander abdulov, that’s right, a question from sergei mayorov, 1000, during his short life, this composer and songwriter created many wonderful songs for our pop stars, touch-me-not, paper kite, cloud flies away and many others. name it. this is viktor reznikov. question from sergei mayorov for 800. in this film by ilya frez, the main role of fifteen-year-old schoolgirl katya was played by tatyana ksyuta. but at that time, at the time of filming, the actress was already 23 years old. yes, name this film, you never dreamed of it, that’s right, a wonderful question, come on, a question from sergei mayorov, over 600, allafilova began her singing career in 1985, in 1992 she became the winner of the morning star television competition international competition, the bratislava lyre received the audience prize. sympathy at the jurmala 92 compet

vladimir ivanovich khotinenko , hello, vladimir ivanovich, thank you for coming to us, theater actor, lenkomdition of roman bes, and taking advantage of this opportunity, we will... talk about the novel demons, about dostoevsky, about creativity, and most importantly, about today. vladimir ivanovich, how did dostoevsky appear in your creative destiny, because you filmed the dostoevsky series in the eleventh year, well then demons, partly to blame for this, this is the architectural institute, which i graduated from at one time, that’s because we had a completely safe place in the architectural institute of that period, these groups, rock groups and mozart, and wagner, and literature got along completely well high, whatever you want, then, in general, i became interested in nabokov’s lectures, lectures on russian literature, yes, nabokov is a professor, and so am i. i was surprised to read that nabokov was extremely disrespectful towards fyodor mikhailovich, he considered him a c student, strictly speaking, for the language , for that, for that, the tenth, this intrigued me, and this was perh

vladimir ivanovich khotinenko, hello, vladimir ivanovich, thank you for coming, we have a theater actor, lenkom mark zakharova, anton shagin, and we will talk about dostoevsky for a reason, this year marks 150 years. from the date of publication of a separate edition of roman bes. and taking advantage of this opportunity, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly, about today. vladimir ivanovich, how did dostoevsky appear in your creative destiny, because you filmed the dostoevsky series in the eleventh year, and then the demons, partly to blame for this is the architectural institute, which i graduated from at one time, that’s because we have complete prosperity there. in the architectural institute of that period , these groups, rock groups, and mozart, and wagnerner, and high literature, whatever you wanted, coexisted quite happily, and then, in general, i became interested in nabokov’s lectures, lectures on russian literature, yes, nabokov , professor, yes, and i with i was surprised to read that nabokov was extremely disrespectful towards f