. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award ton

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight.

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of t day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom m marthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >>nd the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and g. inarritu. he took home three oscars last year for "birdman." >> thank you tthe academy. i can't believe th is happening, i -- it is amazing to receive this award tonight. but -- it's much more beautifu

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. happening, i -- it is amazing to receive this award tonight. but -- it's m

. >> lenny abrahamson, "room." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on marial that you genuinely believe has social relevance, and so, i feel like were really motivated by that. >> the way i approach this was long takes, nonot ny cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what e chase is. george miller, "mad max: fu road." >> it was an opportunity to do what i attempted to do back technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nominatiofor alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonigh

. >> like to work as much as i possibly can for as long as i >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. for me to share it with all the talent and crazy cast and colleagues and crew members along the continent that made this film possible, to all and each of you. i thank you from my heart. leo -- you are "the revenant." thank you for giving every soul, your soul, your h

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- it's much mor

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking thehing into existence. >> at the end ofhe day, ouour job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting momostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight.

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- i

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- it's much more

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight.

. >> like to work as much as i possibly can for as long as i >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "rdman." >> thank you to the academy. i can't believe this is happening, i -- it

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- it's much

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- it's much

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight.

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. happening, i -- it is amazing to receive this award tonight. but -- it'

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- i

. >> lenny abrahamson, "room." tom mccarthy, "spotlight."nce of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlight." >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say. >> tom mccarthy, "spotlit. >> it's rare you get to work on material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. beautiful way to use what cinema is for. >> shooting mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- alejandro g. inarritu, "the revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to r

. >> lenny abrahamson, "room." tom mccarthy, "spotlight." involved in the presence of thinking the thing into existence. >> at the end of the day, our job is to tell stories, but it is nice to feel like the movie has something to say.spotlit. material that you genuinely believe has social relevance, and so, i feel like we were really motivated by that. >> the way i approach this was long takes, not many cuts. >> alejandro g. inarritu, "the revenant." >> very precise choreography. rehearse. is for. >> shoing mostly in continuity replicated what the chase is. >> george miller, "mad max: fury road." >> it was an opportunity to do what i attempted to do back then, but to use the new technology. >> and the oscar goes to -- revenant." >> this is the fourth oscar and seventh nomination for alejandro g. inarritu. he took home three oscars last year for "birdman." >> thank you to the academy. i can't believe this is happening, i -- it is amazing to receive this award tonight. but -- it's much more beautiful for me to share it with all the talent and

we're gonna spotlight the oscar nominated director behind the film, "room," lenny abrahamson. also, stephan james is here to

we're gonna spotlight the oscar nominated director behind the film, "room," lenny abrahamson. also, stephan james is here to talk about portraying the great olympic athelete, jesse owens in the film called "race." we'll start with that. we'll go to the madera kitchen now. have a look.

we're gonna spotlight the oscar nominated director behind the film, "room," lenny abrahamson. also, stephan james is here to talk about portraying the great olympic athelete, jesse owens in the film called "race." we'll start with that. we'll go to the madera kitchen now. have a look. >> what do you canadians have that we don't? like there must be something that's special about you guys. >> it's the tim horton's, man. it's a big coffee chain and you