is the question of the relationship of the power of the people , which was raised, including by lenshteineople, yes... hello, the ezenshtein-125 podcast is on the air, in the cinema studio artyom sopin and film historian natalya ryabchikova. today we will talk about isenstein’s film ivan the terrible, which is not only one of the most notable films in the work of esenstein himself, but is also probably one of the most significant films, in principle, in the history of culture of the 20th century, because it is a film that collected many features of different types of arts, in fact, it was precisely thanks to this film, including, that isenstein proved that cinema is a full-fledged part of the world. literature, theater and in ivan the terrible, we , together with older types, with painting, see how many features are intertwined. in addition, this film, of course, is historically interesting in various aspects, historically not in the sense that in the ancient history when it was filmed, much less in the ancient history to which it relates, but in relation to our interests, in history, reg

the sherlock series sherlock dies and then returns, i’ll remind you that this is a podcast with lenshteinlm historians, natalya ryabchikova and stanislav didinsky, we talk about who created and watched classic, famous, little-known, forgotten soviet films. in addition to the people who made feature films, there were people who made newsreels, in fact, who were filmed by front-line combat cameramen. and then it was collected into film magazines, which were shown in front of everyone.